Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background.
De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality.
The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist's friend and critic, "Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh."
EXHIBITION SCHEDULE
http://www.artcommotion.com/Issue2/moca/home.html The Museum of Contemporary Art, Los Angeles
February 10, 2002-May 5, 2002
http://www.nga.gov/home.htm The National Gallery of Art, Washington, D.C..
September 29, 2002-January 5, 2003
http://www.sfmoma.org/ The San Francisco Museum of Modern Art
June 15 - September 8, 2002
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
"The vivid reproductions in Tracing the Figure show de Kooning's frenzied mind and hand at work . . . as he developed his distinctive style. . . . This wonderfully produced book traces de Kooning's development from early figurative drawings to the studies tat led to Woman I, the painting that he worked on for almost two years, and that ended up defining his career."--Modern Painters
"Highly recommended for anyone interested in the phenomenon that was abstract expressionism in the mid-20th-century US (or for anyone who is simply looking for something on De Kooning that is clearly written and carefully researched)."--Choice
Book by Cornelia H Butler Paul Schimmel Anne M Wagner
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Your Online Bookstore, Houston, TX, U.S.A.
hardcover. Condizione: Good. Codice articolo 069109618X-3-34797098
Quantità: 1 disponibili
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized. Codice articolo mon0000309431
Quantità: 1 disponibili
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condizione: Used - Very Good. Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality. The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist'sfriend and critic, 'Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh.' EXHIBITION SCHEDULE The Museum of Contemporary Art, Los AngelesFebruary 10, 2002-May 5, 2002 The National Gallery of Art, Washington, D.C.September 29, 2002-January 5, 2003 The San Francisco Museum of Modern ArtJune 15 - September 8, 2002 Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector. Codice articolo 324502
Quantità: 1 disponibili
Da: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Jacket spine is sunned and lightly stained, but legibility is not impacted. Back jacket cover is scuffed along hinge. Jacket edges are worn. Spine is tight. Cover edges are shelf worn. Cover corners are bumped. Inside edges are slightly tanned, but readability is not affected. Pages are unmarked. Codice articolo 2050781
Quantità: 1 disponibili
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 200 pages, very good condition; except light edgewear to dj at top edge and small abrasion to title on spine; no internal marks. Foreign shipping may be extra. Codice articolo WiDeLo50
Quantità: 1 disponibili
Da: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 200 page hardcover exhibition catalog to accompany " Willem de Kooning: Tracing the Figure." Four essay contributors, color plates of the drawings, exhibit checklist, and select bibliography. Exhibition was at The Museum of Contemporary Art, Los Angeles, CA, 10 February - 28 April, 2002. No flaws. Codice articolo 542167
Quantità: 1 disponibili
Da: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Near fine. Condizione sovraccoperta: Very good. Jacket is lightly worn along edges. Jacket is lightly sunned along spine and around bottom edge of back cover, not affecting legibility. Book itself is in excellent condition with no visible flaws. Binding is tight and inside is clean and unmarked. Codice articolo 2048941
Quantità: 1 disponibili
Da: Bookplate, Chestertown, MD, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Previous owner name on title page, otherwise VG+/VG+. BP/Oversized art books. Codice articolo ABE-1748120288699
Quantità: 1 disponibili
Da: Superbbooks, San Francisco, CA, U.S.A.
Hardcover. Condizione: Fine. 1st Edition. APPARENTLY NEVER READ. EXCELLENT PAGES And BINDING And DUST JACKET. As Shown. Published/printed by Princeton/MOCA, 2002. Approximately 9 1/2 X 13 1/2. 200 pages. Codice articolo 006266
Quantità: 1 disponibili
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First edition. Hardcover. 200 pages. Features a foreword by Jeremy Strick and essays by Cornelia H. Butler, Paul Schimmel, Richard Shiff, and Anne M. Wagner. Includes 124 color illustrations, 6 black and white images, selected bibliography, and checklist. A near fine copy in cloth boards with a slight bit of bumping to the bottom of the spine in a near fine dust jacket with some minor wear. Codice articolo 199882
Quantità: 1 disponibili