The close observations and sculpted language of William Wright's poems make the world a holy place. These poems brim with the restless energy of waking that leads us into ‘rooms of smoky light that house the myth.’ The myth is the beautiful and fragile existence of the creatures in these poems, from the boy who ponders a long-drowned woman to a caterpillar heavy with ‘something vital and black.’ Wright draws a world that is elemental and spirit drenched, and it is a world I want to live in. --- Al Maginnes
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William Wright is author of seven other collections of poetry: four full length books, including Tree Heresies (Mercer University Press, forthcoming in spring 2015), Night Field Anecdote (Louisiana Literature Press, 2011), Bledsoe (Texas Review Press, 2011), and Dark Orchard (Texas Review Press, 2005, winner of the Breakthrough Poetry Prize). Wright’s chapbooks are Sleep Paralysis (Stepping Stones Press, 2012, Winner of the South Carolina Poetry Initiative Prize, selected by Kwame Dawes), Xylem & Heartwood (Finishing Line Press, 2013) and The Ghost Narratives (Finishing Line, 2008). Wright is Series Editor and Volume Co-editor of The Southern Poetry Anthology, a multivolume series celebrating contemporary writing of the American South, published by Texas Review Press. Additionally Wright serves as Assistant Editor for Shenandoah, translates German poetry, and is editing three volumes, including Hard Lines: Rough South Poetry (with Daniel Cross Turner). Wright won the 2012 Porter Fleming Prize in Literature. Wright has recently published in The Kenyon Review, Oxford American, The Antioch Review, Shenandoah, and Southern Poetry Review.
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