The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or 'raw art'. He saw Art Brut as the purest form of creation because it was 'uncooked' by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century.
Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Idéal in the South of France and Nek Chand's sculpture garden in north India.
Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
John Maizels, a widely respected authority on 'Outsider' and self-taught art, is Editor of Raw Vision magazine.
Roger Cardinal is Professor of Literary and Visual Studies at the University of Kent, Canterbury, and the author of the pioneering study Outsider Art (1972).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Paperback. Condizione: Very Good. The art of self-taught artists - including visionaries, folk creators, spiritualists, recluses, the 'mad' and the socially marginalized - was once scorned by the art establishment. Among the first to value and collect such works was the French artist Jean Dubuffet (1901-85), who coined the term Art Brut, or 'raw art'. He saw Art Brut as the purest form of creation because it was 'uncooked' by culture, touched by a raw nerve and deriving directly from the psyche. Some 50 years later, a wave of enthusiasm for contemporary folk art has gripped countries as far apart as India and the United States. John Maizels ties these disparate strands together, providing an extensive survey of the self-taught art of the twentieth century. Today a bewildering range of terminology has emerged, along with growing enthusiasm, for strains of creative expression outside the conventional art world. In Raw Creation, Maizels traces the history of the recognition and study of this art and examines different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from such Art Brut masters as Adolf Wolfli and Aloise Corbaz, to such gifted American folk artists as Bill Traylor and Mose Tolliver. Devoting several chapters to large-scale visionary environments, Maizels takes a broad view, embracing Rodia towers in Watts, Los Angeles, the Palais Ideal in the South of France and Nek Chand's sculpture garden in north India. Raw Creation provides an indispensable guide to self-taught art and a fascinating account of human creativity. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR004580326
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Paperbound. Condizione: Fine. Description: This copy is Signed by the author, with a personalized inscription. Profusely illustrated in black and white and color. From the jacket blurb: ''The art of visionaries, folk creators, spiritualists, recluses, the mad and the socially marginalized is no longer scorned and cannot be ignored. Among the first to value and collect such work as the French artist Jean Dubuffet. For those he judged to represent the purest form of creation he coined the term Art Brut, literally 'raw art' -- raw because it was uncooked by culture, raw because it came directly from the psyche, art touched by a raw nerve. John Maizels traces the history of the recognition and study of this art and examines the different theories and definitions that have grown up around it. He provides detailed expositions of the work of individual artists ranging from Art Brut masters such as Adolf Wolfi and Aloise Corbaz to such gifted American folk artists as Bill Traylor ad Mose Tolliver.'' BINDING/CONDITION: plain white wraps printed only with publisher name, a large format paperback with a dust wrapper; the book and jacket are both Fine. bibliography, index. about 11.5 inches tall by 10 inches wide. 240 pages. Codice articolo 062485
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