This edition breaks with usual practice by presenting the 1601 quarto version of Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. He has collated all fifteen known copies of the quarto and consulted the revised folio version as well. Instead of simply endorsing the folio as the superior play, the Introduction seeks to understand the earlier version on its own terms.
Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. He also illuminates the dramatic context of the play, outlining the rise of humours comedy in Jonson and contemporaries like Chapman, Marston and Shakespeare. Miola gives detailed attention to the social, political and religious contexts of the play as well, showing how larger cultural struggles shape the characters and action. The textual history identifies the mysterious second printer of the quarto: the stage history reviews all significant performances of either version and corrects the received record. Miola also discusses Jonson's use of language, intertextualities and gender issues. Appendices provide longer notes and longer folio passages for comparison.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Robert S. Miola is Gerard Manley Hopkins Professor of English and Professor of Classics at Loyola College, Maryland
Robert C. Miola is Gerard Manley Hopkins Professor of English and Professor of Classics at Loyola College, Maryland
Robert S. Miola is Gerard Manley Hopkins Professor of English and Professor of Classics at Loyola College, Maryland
This edition breaks with usual practice by presenting the 1601 quarto version of Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. He has collated all fifteen known copies of the quarto and consulted the revised folio version as well. Instead of simply endorsing the folio as the superior play, the Introduction seeks to understand the earlier version on its own terms.
Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. He also illuminates the dramatic context of the play, outlining the rise of humours comedy in Jonson and contemporaries like Chapman, Marston and Shakespeare. Miola gives detailed attention to the social, political and religious contexts of the play as well, showing how larger cultural struggles shape the characters and action. The textual history identifies the mysterious second printer of the quarto: the stage history reviews all significant performances of either version and corrects the received record. Miola also discusses Jonson's use of language, intertextualities and gender issues. Appendices provide longer notes and longer folio passages for comparison.
This edition breaks with usual practice by presenting the 1601 quarto version of Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. He has collated all fifteen known copies of the quarto and consulted the revised folio version as well. Instead of simply endorsing the folio as the superior play, the Introduction seeks to understand the earlier version on its own terms. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. He also illuminates the dramatic context of the play, outlining the rise of humours comedy in Jonson and contemporaries like Chapman, Marston and Shakespeare. Miola gives detailed attention to the social, political and religious contexts of the play as well, showing how larger cultural struggles shape the characters and action. The textual history identifies the mysterious second printer of the quarto: the stage history reviews all significant performances of either version and corrects the received record. Miola also discusses Jonson's use of language, intertextualities and gender issues. Appendices provide longer notes and longer folio passages for comparison.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. Codice articolo M0719078261Z2
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719078262. Codice articolo 5766977
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Da: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo CX-9780719078262
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. Codice articolo LU-9780719078262
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Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo CX-9780719078262
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Da: Russell Books, Victoria, BC, Canada
Condizione: Very Good. Codice articolo FORT902421
Quantità: 1 disponibili
Da: Rarewaves USA, HEBRON, KY, U.S.A.
Paperback. Condizione: New. This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. Codice articolo LU-9780719078262
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Presents the 1601 quarto version of Jonson's play, set in Florence, instead of the revised 1616 version, set in London. This book presents an edited version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Editor(s): Miola, Robert S. Series: Revels Plays Companion Library. Num Pages: 304 pages, black & white illustrations. BIC Classification: 2AB; DD; DSBD; DSG. Category: (UU) Undergraduate. Dimension: 216 x 140 x 17. Weight in Grams: 389. . 2008. 1st Edition. Paperback. . . . . Codice articolo V9780719078262
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Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In English. Codice articolo ria9780719078262_new
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Da: Bookwood, Melbourne, VIC, Australia
Wraps. Condizione: Fine. Reprint. The Revels Plays. Edited by Robert S. Miola. Comprehensive printed footnotes throughout. Includes prefaces, detailed introduction, notes, appendices, plus index. From rear cover: "This edition breaks with usual practice by presenting the 1601 quarto version of Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola here presents a meticulously edited and modernized version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola has collated all fifteen known copies of the quarto and consulted the revised folio version as well. Instead of simply endorsing the folio version as the superior play, the introduction seeks to understand the earlier version on its own terms. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. He also illuminates the dramatic context of the play, outlining the rise of humours comedy in Jonson and contemporaries like Chapman, Marston and Shakespeare. Miola gives detailed attention to the social, political and religious contexts of the play as well showing how larger cultural struggles shape the characters and action. The textual history identifies the mysterious second printer of the quarto; the stage history reviews all significant performances of either version and corrects the received record. Miola also discusses Jonson's use of language, intertextualities and gender issues. Appendices provide longer notes and longer folio passages for comparison". Printed in the UK. With clear protective laminate affixed to cover. A very nice clean tight solid softcover copy. 282pp. SB-19. Codice articolo 024071
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