After the Event: New Perspectives on Art History - Rilegato
Libro 1 di 59: Rethinking Art's Histories
Sinossi
The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself.
This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sugli autori
Charles Merewether is an art historian and curator
John Potts is Associate Professor in Media, Music and Cultural Studies at Macquarie University, Sydney, Australia
Charles Merewether is an art historian and curator. John Potts is Associate Professor in Media, Music and Cultural Studies at Macquarie University, Sydney, Australia.
Charles Merewether is an art historian and curator
John Potts is Associate Professor in Media, Music and Cultural Studies at Macquarie University, Sydney, Australia
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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After the Event: New Perspectives on Art History (Rethinking Art's Histories)
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Manchester University Press, 2010
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ISBN 13: 9780719081736
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After the Event: New perspectives on art history (Rethinking Art's Histories)
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After the Event : New Perspectives on Art History
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Hardcover. Condizione: new. Hardcover. The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory. -- . A new approach to art history from an inter-disciplinary and global perspective with a focus on the event and its repercussions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780719081736
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After the Event: New perspectives on art history (Rethinking Art's Histories)
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ISBN 10: 0719081734
ISBN 13: 9780719081736
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After the Event : New Perspectives on Art History
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ISBN 13: 9780719081736
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After the Event : New Perspectives on Art History
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ISBN 13: 9780719081736
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After the Event
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ISBN 13: 9780719081736
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Hardback. Condizione: New. The event occurs in and over time; the aftermath concerns the traces, which are frozen into images, objects, re-presentations. Traditionally, art history is written in the aftermath as representational. A different perspective on the visual arts is opened up when scholars insist on exploring the status of the event itself, allowing temporality to remain in place. By focusing on the event, recognition of the complex character of the traces becomes all the more evident, challenging the singularity of representation itself. This book opens up debates on art history and theory to a broad range of perspectives, offering fresh approaches to art history and media culture alongside diverse investigations into cross-cultural and non-Western art practices. The essays draw together a wide and regionally diverse range of scholars from numerous areas, including film and documentary studies, philosophy, intellectual and cultural history, media theory and performance studies, as well as art history and theory. Codice articolo LU-9780719081736
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