Sinossi
Horror isn’t what it used to be. Nor are its Gothic avatars.
The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity.
Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud’s idea of the death drive.
Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Fred Botting is Professor in the Institute for Cultural Research, Lancaster University
Dal risvolto di copertina interno
Horror isn t what it used to be. Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud s idea of the death drive.Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Limits of horror: Technology, bodies, Gothic
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Manchester University Press, 2010
ISBN 10: 0719083656
ISBN 13: 9780719083655
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Limits of horror: Technology, bodies, Gothic
Editore:
Manchester University Press, 2010
ISBN 10: 0719083656
ISBN 13: 9780719083655
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Paperback. Condizione: New. Horror isn't what it used to be. Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud's idea of the death drive.Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory. Codice articolo LU-9780719083655
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Paperback. Condizione: New. Horror isn't what it used to be. Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud's idea of the death drive.Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory. Codice articolo LU-9780719083655
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Paperback. Condizione: new. Paperback. This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. -- . This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780719083655
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Manchester University Press, 2011
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ISBN 13: 9780719083655
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