Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80 - Brossura

Libro 5 di 10: Music and Society

Crossley, Nick

 
9780719088650: Networks of Sound, Style and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975-80

Sinossi

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of ‘social network analysis’, it teases out the events and mechanisms involved in punk’s ‘micro-mobilisation’, its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of ‘music worlds’.

Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

Informazioni sull?autore

Nick Crossley is Professor of Sociology at the University of Manchester

Dalla quarta di copertina

In this important book Nick Crossley examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Dominant explanations of these developments have tended to focus upon strains and frustrations, both social and aesthetic, which are said to have provoked a generation of young people into rebellious action. Crossley identifies a number of problems with such explanations, stressing in particular their failure to explore punk’s ‘micro-mobilisation’. UK punk emerged within the interactions of a small, circumscribed and geographically concentrated network of music enthusiasts, he argues, and sociological analysis of it must start there; with this network and the events and mechanisms which allowed it to grow to a national scale, diffusing punk culture. Similarly, to fully understand post-punk we must investigate the various city-based networks, generated in some part through excitement about punk, which incubated both frustration at what it soon became and creative attempts to transcend its limitations.

Deploying innovative concepts of ‘critical mass’, ‘social networks’ and ‘music worlds’, and using sophisticated techniques of social network analysis, Crossley engages with the detail of punk’s emergence, diffusion and subsequent transformation into post-punk, offering a highly original and robust account of these fascinating and culturally important processes.

Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

Dal risvolto di copertina interno

In this important book Nick Crossley examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Dominant explanations of these developments have tended to focus upon strains and frustrations, both social and aesthetic, which are said to have provoked a generation of young people into rebellious action. Crossley identifies a number of problems with such explanations, stressing in particular their failure to explore punk s micro-mobilisation . UK punk emerged within the interactions of a small, circumscribed and geographically concentrated network of music enthusiasts, he argues, and sociological analysis of it must start there; with this network and the events and mechanisms which allowed it to grow to a national scale, diffusing punk culture. Similarly, to fully understand post-punk we must investigate the various city-based networks, generated in some part through excitement about punk, which incubated both frustration at what it soon became and creative attempts to transcend its limitations.Deploying innovative concepts of critical mass , social networks and music worlds , and using sophisticated techniques of social network analysis, Crossley engages with the detail of punk s emergence, diffusion and subsequent transformation into post-punk, offering a highly original and robust account of these fascinating and culturally important processes.Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

Altre edizioni note dello stesso titolo

9780719088643: Networks of sound, style and subversion: The punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80

Edizione in evidenza

ISBN 10:  071908864X ISBN 13:  9780719088643
Casa editrice: Manchester Univ Pr, 2015
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