In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.
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Book by Norman Bryson Keith Moxey and Michael Ann Holly
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780745606606. Codice articolo 4318658
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Da: THE CROSS Art + Books, Sydney, NSW, Australia
23cm x 15cm. 286 Pp b/w Illusts very good paperback 7 cover This book draws together some of the theorists who developed semiological phenomenological feminist philosophical and marxist approaches to art history. It has become a 'key reference point for the discussion of art historical method'. Codice articolo 20496784
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PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo L0-9780745606606
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