Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata - Brossura

Adorno, Theodor W.; Hoban, Wieland

Brossura

ISBN 10: 0745631991 ISBN 13: 9780745631998

Casa editrice: Polity, 2006

Riassunto

At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word ‘reproduction’ as opposed to ‘interpretation’ indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply ‘playing what is written’. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can music’s true essence be captured. While he at times seems more definite in his pronouncement of a musical score’s absolute value – just as a book is read silently, not aloud – his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.

Su questo libro

Informazioni sull?autore

Theodor W. Adorno is the author of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.

Henri Lonitz is the editor of Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, published by Wiley.

Dalla quarta di copertina

At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense.

In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.

Dettagli dell'edizione

• Editore: Polity
• Data di pubblicazione: 2006
• Lingua: Inglese
• ISBN 10: 0745631991
• ISBN 13: 9780745631998
• Rilegatura: Copertina flessibile
• Numero di pagine: 300
• Contatto del produttore: non disponibile
• Persona responsabile: non disponibile