New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader.
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Aaron Ridley is a Professor of Philosophy at the University of Southampton. He is the author of Nietzsche's Conscience: Six Character Studies from the 'Genealogy' (Cornell University Press, 1998), R.G. Collingwood: A Philosophy of Art (Orion Books, 1998) and Music, Value and the Passions (Cornell University Press, 1995) and the co-editor, with Alex Neill, of Arguing About Art (McGraw-Hill, 1995; 2nd edition: Routledge, 2002) and The Philosophy of Art (McGraw-Hill, 1995).
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Good. New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader. Codice articolo 00106605647
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Good. New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader. Codice articolo CIN0748609024G
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0748609024I3N00
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Da: GreatBookPrices, Columbia, MD, U.S.A.
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Da: Rarewaves USA, HEBRON, KY, U.S.A.
Paperback. Condizione: New. New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity. The theme of the book is the failure of the orthodox view - that pieces of music are more or less self-contained structures of sound - to account for some important features of our musical experience, and to explain why music should matter to us.In exposing and correcting that failure, the book introduces readers to the main problems and positions in the philosophy of music, proposes fresh solutions to those problems, and offers innovative approaches to the philosophy of song, to musical ontology, and to questions about the value of music. Each chapter is built around a single musical work, which provides a focus for the reader. Features* Broad, accessible introductory overview to philosophy of music* Original and stimulating insights. Codice articolo LU-9780748609024
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. 192 pages. 9.25x6.25x0.50 inches. In Stock. Codice articolo x-0748609024
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. New and distinctive approaches to five central topics in musical aesthetics are provided in this outstanding book. The topics are: understanding, representation, expression, performance and profundity.Über den AutorrnrnAaron Ridley i. Codice articolo 594934961
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