Articoli correlati a The Animal Question in Deconstruction
Sinossi
Explores the political and poetic understanding of the deconstruction of the ‘animal question’
How does deconstruction understand relations between humans and other animals? This book reveals that across Jacques Derrida’s work as a whole, as well as that of Hélène Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat; Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text; Kelly Oliver pursues Derrida’s analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Throughout this collection authors bring to attention the politics and the poetics of a less anthropocentric world. Even when this world is grasped through very writerly fields such as philosophy, literature and autobiography, The Animal Question in Deconstruction demonstrates that we are always marked by traces of other animals.
Key Features• Expands the current debate on the ‘animal question’ through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle• Includes the first English translation of ‘Un Réfugié’ by Hélène Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida• Republishes Nicholas Royle’s ground-breaking essay 'Mole'
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Informazioni sugli autori
Lynn Turner is a Reader in Visual Cultures at Goldsmiths, University of London. She is the author of Poetics of Deconstruction: on the threshold of differences (Bloomsbury, 2020), co-editor, with Undine Sellbach and Ron Broglio, of The Edinburgh Companion to Animal Studies (EUP, 2018), editor of The Animal Question in Deconstruction (EUP, 2013) and co-author, with Astrid Schmetterling, of Visual Cultures As… Recollection (Sternberg, 2013).
Lynn Turner is Lecturer at the Goldsmiths, University of London
Dalla quarta di copertina
Explores the political and poetic understanding of the deconstruction of the ‘animal question’How does deconstruction understand relations between humans and other animals? This book reveals that across Jacques Derrida’s work as a whole, as well as that of Hélène Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat; Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text; Kelly Oliver pursues Derrida’s analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Throughout this collection authors bring to attention the politics and the poetics of a less anthropocentric world. Even when this world is grasped through very writerly fields such as philosophy, literature and autobiography, The Animal Question in Deconstruction demonstrates that we are always marked by traces of other animals.Key Features•Expands the current debate on the ‘animal question’ through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle•Includes the first English translation of ‘Un Réfugié’ by Hélène Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida•Republishes Nicholas Royle’s ground-breaking essay 'Mole'Lynn Turner is Lecturer in Visual Culture, Goldsmiths, University of London. She is the co-author of Visual Cultures As … Recollection (with Astrid Schmetterling, 2013) and has edited several issues of the journal parallax.Cover image: courtesy the artist and Hauser & Wirth © Roni Horn.Cover design:[EUP logo]www.euppublishing.com
Dal risvolto di copertina interno
Explores the political and poetic understanding of the deconstruction of the animal question How does deconstruction understand relations between humans and other animals? This book reveals that across Jacques Derrida s work as a whole, as well as that of Hélène Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat; Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text; Kelly Oliver pursues Derrida s analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Throughout this collection authors bring to attention the politics and the poetics of a less anthropocentric world. Even when this world is grasped through very writerly fields such as philosophy, literature and autobiography, The Animal Question in Deconstruction demonstrates that we are always marked by traces of other animals.Key Features Expands the current debate on the animal question through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle Includes the first English translation of Un Réfugié by Hélène Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida Republishes Nicholas Royle s ground-breaking essay 'Mole'Lynn Turner is Lecturer in Visual Culture, Goldsmiths, University of London. She is the co-author of Visual Cultures As Recollection (with Astrid Schmetterling, 2013) and has edited several issues of the journal parallax.Cover image: courtesy the artist and Hauser & Wirth © Roni Horn.Cover design:[EUP logo]www.euppublishing.com
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