Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
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Ian Peddie has taught at Florida Gulf Coast University, the University of Sydney, and West Texas A&M University. His edited collection, The Resisting Muse: Popular Music and Social Protest (Ashgate), a finalist in the Association for Recorded Sound Collections book of the year, was published in 2006. He is an avowed humanist, and one of the harmonizing themes in his work is the way in which human interaction is governed by a cohesive inequality, and these sentiments inform his book The Hunted Revolutionaries: Narrating Class in Twentieth Century American Literature (VDM Verlag, 2009).
He has published numerous essays on authors such as Irvine Welsh, Langston Hughes, T.S. Eliot, and Thomas McGrath, as well as on topics such as class, poverty, and radicalism. These topics influence his approach to popular music, where he has written on Led Zeppelin, Goldie, and Billy Bragg.
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780754668527. Codice articolo 9875707
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Da: Readers Cove Used Books & Gallery, DEMING, NM, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Volume I: British and American Music. Minimal wear. Clean and unmarked. Minimal wear to DJ. See our listing fo Volume II. ; Ashgate Popular And Folk Music Series; 9.25 X 6.25 X 0.65 inches; 206 pages. Codice articolo 22334
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Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail. Codice articolo OTV.0754668525.VG
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780754668527. Codice articolo 2944038
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Condizione: New. pp. 222. Codice articolo 2650441559
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Da: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Regno Unito
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Da: Majestic Books, Hounslow, Regno Unito
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