The author argues that canon-formation was going on as early as the middle ages by authors who believed that promoting the idea of a national literature would help publicize their work and favor literary production in the vernacular. He then points out that beginning in the late 1600s, canon-makers became less concerned with how literature was produced than with how it was read and received. His main point is that the realization of how canon-formation has changed over time should inform current debates over the canon. Annotation c. by Book News, Inc., Portland, Or.
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Book by Ross Trevor
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