David MacFadyen investigates what made Riazanov's films so wildly popular and what - if any - relationship that popularity had to Soviet policy. Using the works of Deleuze, Lacan, and Kristeva, MacFadyen looks at how Riazanov's films relate to society, audience demand, and Soviet politics. In more than twenty love stories that have precious little to do with statecraft, Soviet or otherwise, Riazanov captures the willful inclusiveness of socialist culture.
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Book by MacFadyen David
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Da: Hollywood Canteen Inc., Toronto, ON, Canada
Soft Cover. Condizione: Very Good. 2026 mayFiled director bios. Codice articolo 00203770
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Da: HPB-Emerald, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Codice articolo S_471495677
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Da: Edmonton Book Store, Edmonton, AB, Canada
Condizione: Very Good. Condizione sovraccoperta: No Dj. 8vo pp. 283, "This is a thorough, pioneering introduction to ldar Riazanov. MacFadyen challenges the Cold War oppositions of state vs entertainment, dogma vs dissidence, and public vs private that have dominated Western academic discussion of Soviet and post-Soviet art and media, elucidating their much more complex emotional and psychological structure in the light of post-Freudian? book. Codice articolo 171283
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