The 2005 James McTeigue and Wachowski Brothers film V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name, along with numerous allusions to literature, history, cinema, music, art, politics, and medicine. Paralleling the graphic novel, the film simultaneously reflects a range of authorial contributions and influences. This work examines in detail the intersecting texts of V for Vendetta. Subjects include the alternative dimensions of the cinematic narrative, represented in the film's conspicuous placement of the painting The Lady of Shalott in V's home; the film's overt allusions to the AIDS panic of the 1980s; and the ways in which antecedent narratives such as Terry Gilliam's Brazil, Huxley's Brave New World, and Bradbury's Fahrenheit 451 represent shadow texts frequently crossing through the overall V for Vendetta narrative.
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James R. Keller is a professor and chair of the English and Theatre Department at Eastern Kentucky University in Richmond, Kentucky. He is the author of Food, Film and Culture (2006), Queer (Un)Friendly Film and Television (2002) and Anne Rice and Sexual Politics (2000). With Leslie Stratyner he is coeditor of Fantasy Fiction into Film (2007), The New Queer Aesthetic on Television (2006) and Almost Shakespeare (2004).
James R. Keller is a professor and chair of the English and Theatre Department at Eastern Kentucky University in Richmond, Kentucky.
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Kartoniert / Broschiert. Condizione: New. The 2005 film, V for Vendetta represents a postmodern pastiche, a collection of fragments pasted together from the original Moore and Lloyd graphic novel of the same name. This work identifies and examines the intersecting texts of V for Vendetta , w. Codice articolo 594988986
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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