Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Preface. Plenary Lectures. Section 1: The Memory of the Art Historian. Section 2: Collecting and Recollecting. 3. Reproduction, Survival and Oblivion. Section 4: Cults of the Past. Section 5: The Art of Commemoration. Section 6: The Art of Veneration. Section 7: Visual Memories, 500-1500. Section 8: Memories at Work, 1500-1900. Section 9: Oblivion in Modern Art. Section 10: Closed Circuits? Section 11: The Modern Memorial: Victors and Victims of War.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Grey Matter Books, Hadley, MA, U.S.A.
Hardcover. Condizione: Very Good. Head, foot and fore edges have very slight smudging on the bright white pages. Minute edge wear. Heavy feel to the book. Binding tight and nice. Unmarked and crisp. Glossy cover. Priority/international shipping at cost. Codice articolo 001545
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Quarto. Softcover. Red wraps with orange titles. xiv, 1110 pages : illustrations ; 27 cm. VG. Some shelfwear, otherwise clean and unmarked. Codice articolo 206729
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Brown wraps. 1114 pp. Numerous bw plates. This volume is a collection of the more than 130 papers presented at the XXIXth International Congress of the History of Art. VG (edge-wear to wraps; crimp/crease to back, upper edge. light sunning to spine & edges. light creasing to spine; textblock firm.). Codice articolo 19454
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Da: moluna, Greven, Germania
Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Proceedings of the XXIXth International Congress of the History of Art, Amsterdam, 1-7 September 1996Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the s. Codice articolo 5967883
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Da: Mispah books, Redhill, SURRE, Regno Unito
Hardcover. Condizione: Like New. Like New. book. Codice articolo ERICA77307923421356
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology. 1148 pp. Englisch. Codice articolo 9780792342137
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
Buch. Condizione: Neu. Neuware -Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 1148 pp. Englisch. Codice articolo 9780792342137
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Memory is a subject that has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, memory is also juxtaposed to its counterpart, oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in 11 sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology. Proceedings of the XXIXth International Congress of the History of Art, Amsterdam, 1-7 September 1996 Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780792342137
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Da: AHA-BUCH GmbH, Einbeck, Germania
Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology. Codice articolo 9780792342137
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Proceedings of the XXIXth International Congress of the History of Art, Amsterdam, 1-7 September 1996 Editor(s): Reinink, A. W. (Utrecht University, The Netherlands); Stumpel, Jeroen. Num Pages: 1114 pages, biography. BIC Classification: ABA; AC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 210 x 61. Weight in Grams: 2977. . 1999. Hardback. . . . . Codice articolo V9780792342137
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