Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.
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Illustrations. Notes on Contributors. Preface & Acknowledgements. Introduction; P. Gozza. Tradition. 1. Sounding Numbers. The Harmony of the Spheres; D.P. Walker. `Desiderio da Pavia' and Renaissance Musical Theory; P. Gozza. 2. Music & Spirit. Marsilio Ficino: The Soul and the Body of Counterpoint; B. Boccadoro. Music in Francis Bacon's Natural Philosophy; P.M. Gouk. Transition. 3. Geometry vs. Arithmetic. A Renaissance Mathematics: the Music of Descartes; P. Gozza. The Structure of Harmony in Johannes Kepler's Harmonice mundi (1619); M. Dickreiter. 4. The Uses of Experience. Was Galileo's Father and Experimental Scientist?; C.V. Palisca. The Expressive Value of Intervals and the Problem of the Fourth; D.P. Walker. Reassessment. 5. Sound, Matter & Motion. Galileo Galilei; H.F. Cohen. Isaac Beeckman; H.F. Cohen. 6. Mechanics & Affections. Marin Mersenne: Mechanics, Music and Harmony; P. Dear. Moving the Affections Through Music: Pre-Cartesian Psycho-Physiological Theories; C.V. Palisca. Index.
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The dust jacket has a little wear. The page edges are lightly foxed. 322 pages Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Codice articolo 182321
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. The boards of this hardcover publication are covered with brick red cloth and have white lettering on the spine. Some of the names in the table of contents have been underlined in ink, and there are four pages in the chapter "Galileo Galilei" by H. Floris Cohen which have ink underlining, otherwiise the the text is free of writing, underlining or highlighting and the pages bright. The dust jacket is also clean and bright, but has the impression of a name and page number on the front panel. The dust jacket is currently protected by a clear removable cover. All illustrations noted are present. The book is 6 1/2 inches by 9 3/4 inches and has 322 pages. Codice articolo Sp1392
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds. 340 pp. Englisch. Codice articolo 9780792360698
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Hardback. Condizione: New. 2000 ed. This volume examines the origin of the modern conception of the object as well as the subject of music - musical sound as well as man as the recipient of music. This is what music offered to the scientific revolution of the 16th and 17th centuries. The story is developed in 12 essays written by musicologists and historians of science. Starting from the magic of numbers of Pythagorean and neo-Platonic doctrines, the essays lead the reader to "sound" and "affections" in modern terms. The conceptual framework that grasps the intellectual shift from number to sound relates to the ontological change of the object of music to the psychological change of man as the subject (viz, the recipient and beneficiary) of music. Codice articolo LU-9780792360698
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Da: preigu, Osnabrück, Germania
Buch. Condizione: Neu. Number to Sound | The Musical Way to the Scientific Revolution | P. Gozza | Buch | The Western Ontario Series in Philosophy of Science | xiii | Englisch | 1999 | Springer | EAN 9780792360698 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand. Codice articolo 102186325
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