Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords.
This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere.
For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995.
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Rebecca Rischin is Associate Professor of Music at Ohio University in Athens. Her research for this book was aided by a Harriet Hale Woolley Scholarship for study in Paris, awarded in 1993 to only two other American artists and musicians. Rischin is an award-winning clarinetist who performs regularly throughout the United States and Europe.
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Paperback. Condizione: New. Olivier Messiaen (1908'1992) was one of the great composers of the twentieth century. The premiere of the French composer's Quartet for the End of Time on January 15, 1941 at -4 degrees Fahrenheit in Stalag VIII A, a Nazi prison camp, has been called one of the great stories of twentieth-century music. A devout Catholic with an interest in mysticism and the supernatural, Messiaen was also a poet and an accomplished amateur ornithologist. He mixed sounds as a painter mixes colors, associating specific shades with certain modes and chords. This book is the first comprehensive history of the composition and premiere of the Quartet for the End of Time. Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the experiences of the musicians in the camp, the contradictory accounts, the composer's interpretive preferences, and the musicians'problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians'life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. For the End of Time is distinguished by Rischin's extensive interviews and intimate correspondence with camp survivors who witnessed the Quartet's premiere and members of the Messiaen circle, including the cellist Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. The book is generously illustrated with photographs of the musicians, press releases from the premiere, autographs, letters, and pen-and-ink drawings of the camp's layout. Included are wartime photos of the camp and its prisoners along with present-day views of the camp site, which Rischin visited in 1995. Codice articolo LU-9780801472978
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Da: Eighth Day Books, LLC, Wichita, KS, U.S.A.
Paper Back. Condizione: As New. Written by Olivier Messiaen in the German prison camp Stalag VIII A, the 'Quartet for the End of Time' premiered on 15 January 1941. The musicians (on piano, clarinet, cello and violin) played broken instruments, dressed in ragged clothing and wooden clogs, before an audience of five thousand. To quote Messiaen, 'The most diverse classes of society were mingled: farmers, factory workers, intellectuals, professional servicemen, doctors, [and] priests. Never before have I been listened to with such attention and understanding.' Inspired by the first six verses from the tenth chapter of Revelation, the Quartet attests to, in the words of acclaimed clarinetist and professor of music Rebecca Rischin, 'the eternal freedom of the spirit over the temporal captivity of the body.' Rischin examines the fascinating history of the Quartet and its players, encompassing the events that led to its composition and first performance, the experiences of the musicians in the prison camp and the composer's relationship with the German camp officials, whose love of music made the Quartet's composition and performance possible. She also follows the fortunes of the musicians after the momentous premiere. A devoted Catholic, Messiaen 'imagined the moment in which there would be no more Time, in which Time would rejoin Eternity.' Three appendices include the composer's preface to the work, selected discography, and additional commentary. 175 pp. Codice articolo 238743
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