The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe

Valutazione media 4,12
( su 16 valutazioni fornite da Goodreads )
 
9780801474804: The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe

In The Mirror, the Window, and the Telescope, Samuel Y. Edgerton brings fresh insight to a subject of perennial interest to the history of art and science in the West: the birth of linear perspective. Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place.

Among Edgerton's cast of characters is Filippo Brunelleschi, who first demonstrated how a familiar object could be painted in a picture exactly as it appeared in a mirror reflection. Brunelleschi communicated the principles of this new perspective to his artist friends Donatello, Masaccio, Masolino, and Fra Angelico. But it was the humanist scholar Leon Battista Alberti who codified Brunelleschi's perspective rules into a simple formula that even mathematically disadvantaged artists could understand.

By looking through a window the geometric beauties of this world were revealed without the theological implications of a mirror reflection. Alberti's treatise, "On Painting," spread the new concept throughout Italy and transalpine Europe, even influencing later scientists including Galileo Galilei. In fact, it was Galileo's telescope, called at the time a "perspective tube," that revealed the earth to be not a mirror reflection of the heavens, as Brunelleschi had advocated, but just the other way around. Building on the knowledge he has accumulated over his distinguished career, Edgerton has written the definitive, up-to-date work on linear perspective, showing how this simple artistic tool did indeed change our present vision of the universe.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

Samuel Y. Edgerton is Amos Lawrence Professor of Art History Emeritus at Williams College. He is the author of many books, including Theaters of Conversion: Religious Architecture and Indian Artisans in Colonial Mexico and The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution.

Review:

"Edgerton's very readable book provides a clear history of linear perspective, with a detailed reconstruction of the Brunelleschi experiment set against the religious background of fifteenth-century Florence. It considers the spiritual and moral implications of geometric optics, and shows how artists as well as religious leaders used the new knowledge and adapted it to their traditional assumptions about visualized nature."―Christopher Stace, Times Literary Supplement, 10 July 2009



"The power of Edgerton's central thesis in this very brief book rests in its clarity and elegance. He focuses on two dates 1425 and 1435 and two men Brunelleschi and Alberti, arguing that their differences reveal the transformation of linear perspective from an artistic practice rooted in medieval religious ideas to a secularized method for picturing the world. . . . His explanation of both Brunelleschi's and Alberti's methods is compelling and he does a remarkable job of capturing the excitement and anxieties that this new style of painting generated among artists like (surprisingly) Fra Angelico, Masaccio and Raphael Sanzio. There is no doubt, as well, that this innovation excites Edgerton himself, and the passion of a seasoned teacher seeps through and invigorates much of this book."―Dallas G. Denery II, H-German, H-Net Reviews, October 2009



"Ever since I was a student, Samuel Y. Edgerton's work on perspective has been the best embodiment of an integrated approach to perspective, blending historical and geometric concerns into one narrative. Edgerton knows perspective very well, and he makes perspective drawings himself. At the same time this is not the sort of mathematically inclined writing that reduces perspective to a series of geometric tricks. This book is full of careful scholarship, and Edgerton does not forget the Christian contexts of Renaissance perspective. He also resists the 'new wave of art criticism' that sees perspective as a minor technical invention, soaked in an abandoned ideology of naturalism. Edgerton celebrates perspective as a 'positive idea': he cares about what perspective has accomplished in Western culture, from mapping and exploration to the latest achievements of digital astronomy. This book is a concise summary of his work, and a reliable and up-to-date introduction to the subject. Read this first, and the rest of the literature will make sense: read the other literature first, and perspective may remain in a fog of intimidating mathematics and metaphorics."―James Elkins, School of the Art Institute of Chicago

"At a time when the intersection between art and science is of rising interest to practitioners in both camps, Edgerton shows how deeply these two fields have been interconnected. As he so beautifully demonstrates, perspectival representation of the fourteenth through sixteenth centuries laid the groundwork for the reimagining of space that would eventually be taken up by the physicists of the seventeenth. Anyone who is interested in the dialogue between art and science will find this an astonishing story."―Margaret Wertheim, author of The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

I migliori risultati di ricerca su AbeBooks

1.

Samuel Y. Edgerton
Editore: Cornell University Press, United States (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Paperback Quantità: 1
Da
The Book Depository
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Cornell University Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. In The Mirror, the Window, and the Telescope, Samuel Y. Edgerton brings fresh insight to a subject of perennial interest to the history of art and science in the West: the birth of linear perspective. Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place. Among Edgerton s cast of characters is Filippo Brunelleschi, who first demonstrated how a familiar object could be painted in a picture exactly as it appeared in a mirror reflection. Brunelleschi communicated the principles of this new perspective to his artist friends Donatello, Masaccio, Masolino, and Fra Angelico. But it was the humanist scholar Leon Battista Alberti who codified Brunelleschi s perspective rules into a simple formula that even mathematically disadvantaged artists could understand. By looking through a window the geometric beauties of this world were revealed without the theological implications of a mirror reflection. Alberti s treatise, On Painting, spread the new concept throughout Italy and transalpine Europe, even influencing later scientists including Galileo Galilei. In fact, it was Galileo s telescope, called at the time a perspective tube, that revealed the earth to be not a mirror reflection of the heavens, as Brunelleschi had advocated, but just the other way around. Building on the knowledge he has accumulated over his distinguished career, Edgerton has written the definitive, up-to-date work on linear perspective, showing how this simple artistic tool did indeed change our present vision of the universe. Codice libro della libreria AAU9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 16,66
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

2.

Samuel Y. Edgerton
Editore: Cornell University Press (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Quantità: > 20
Print on Demand
Da
Pbshop
(Wood Dale, IL, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Cornell University Press, 2009. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IP-9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 15,79
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,42
In U.S.A.
Destinazione, tempi e costi

3.

Samuel Y. Edgerton
Editore: Cornell University Press, United States (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Paperback Quantità: 1
Da
The Book Depository US
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Cornell University Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. In The Mirror, the Window, and the Telescope, Samuel Y. Edgerton brings fresh insight to a subject of perennial interest to the history of art and science in the West: the birth of linear perspective. Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place. Among Edgerton s cast of characters is Filippo Brunelleschi, who first demonstrated how a familiar object could be painted in a picture exactly as it appeared in a mirror reflection. Brunelleschi communicated the principles of this new perspective to his artist friends Donatello, Masaccio, Masolino, and Fra Angelico. But it was the humanist scholar Leon Battista Alberti who codified Brunelleschi s perspective rules into a simple formula that even mathematically disadvantaged artists could understand. By looking through a window the geometric beauties of this world were revealed without the theological implications of a mirror reflection. Alberti s treatise, On Painting, spread the new concept throughout Italy and transalpine Europe, even influencing later scientists including Galileo Galilei. In fact, it was Galileo s telescope, called at the time a perspective tube, that revealed the earth to be not a mirror reflection of the heavens, as Brunelleschi had advocated, but just the other way around. Building on the knowledge he has accumulated over his distinguished career, Edgerton has written the definitive, up-to-date work on linear perspective, showing how this simple artistic tool did indeed change our present vision of the universe. Codice libro della libreria AAU9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 19,31
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

4.

Samuel Y. Edgerton
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Quantità: 2
Da
BWB
(Valley Stream, NY, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97808014748040000000

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 19,47
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
In U.S.A.
Destinazione, tempi e costi

5.

Samuel Y Edgerton
Editore: Cornell University Press 2009-01-29 (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi paperback Quantità: > 20
Da
Blackwell's
(Oxford, OX, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Cornell University Press 2009-01-29, 2009. paperback. Condizione libro: New. Codice libro della libreria 9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 16,67
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,34
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

6.

Edgerton, Samuel Y.
Editore: Cornell University Press (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Brossura Prima edizione Quantità: 1
Valutazione libreria
[?]

Descrizione libro Cornell University Press, 2009. Condizione libro: New. Num Pages: 224 pages, 105. BIC Classification: ACND. Category: (G) General (US: Trade). Dimension: 155 x 229 x 14. Weight in Grams: 302. . 2009. 1st Edition. Paperback. . . . . . Codice libro della libreria V9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 21,78
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Irlanda a: U.S.A.
Destinazione, tempi e costi

7.

Samuel Y. Edgerton
Editore: Cornell University Press
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Paperback Quantità: 5
Da
THE SAINT BOOKSTORE
(Southport, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Cornell University Press. Paperback. Condizione libro: new. BRAND NEW, The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe, Samuel Y. Edgerton. Codice libro della libreria B9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 14,26
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 7,74
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

8.

Edgerton, Samuel Y.
Editore: Cornell University Press
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Brossura Quantità: 1
Da
Kennys Bookstore
(Olney, MD, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Cornell University Press. Condizione libro: New. Num Pages: 224 pages, 105. BIC Classification: ACND. Category: (G) General (US: Trade). Dimension: 155 x 229 x 14. Weight in Grams: 302. . 2009. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 22,50
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
In U.S.A.
Destinazione, tempi e costi

9.

Samuel Y. Edgerton
Editore: Cornell University Press (2009)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Brossura Quantità: 1
Da
Valutazione libreria
[?]

Descrizione libro Cornell University Press, 2009. Condizione libro: New. Codice libro della libreria EH9780801474804

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 19,83
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,99
Da: Germania a: U.S.A.
Destinazione, tempi e costi

10.

Edgerton, Samuel Y.
Editore: Cornell University Press (2017)
ISBN 10: 0801474809 ISBN 13: 9780801474804
Nuovi Paperback Quantità: 8
Print on Demand
Da
Murray Media
(North Miami Beach, FL, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Cornell University Press, 2017. Paperback. Condizione libro: New. This item is printed on demand. Codice libro della libreria 0801474809

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 21,61
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 2,56
In U.S.A.
Destinazione, tempi e costi

Vedi altre copie di questo libro

Vedi tutti i risultati per questo libro