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This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sugli autori
Patricia Pisters is Professor of Film at the University of Amsterdam.
Patricia Pisters is Professor of Film at the University of Amsterdam.
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This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
- EditoreStanford Univ Pr
- Data di pubblicazione2003
- ISBN 10 0804740275
- ISBN 13 9780804740272
- RilegaturaCopertina rigida
- LinguaInglese
- Numero di pagine288
- Contatto del produttorenon disponibile
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The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present)
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Stanford University Press, 2003
ISBN 10: 0804740275
ISBN 13: 9780804740272
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Matrix of Visual Culture : Working With Deleuze in Film Theory
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Condizione: New. This work explores Gilles Deleuze s contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines . Codice articolo 867669819
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The Matrix of Visual Culture. Working with Deleuze in Film Theory.
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Condizione: New. This work explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves. Series: Cultural Memory in the Present. Num Pages: 320 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 23. Weight in Grams: 544. . 2003. Hardback. . . . . Codice articolo V9780804740272
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Matrix of Visual Culture : Working With Deleuze in Film Theory
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ISBN 13: 9780804740272
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The Matrix of Visual Culture Working with Deleuze in Film Theory
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The Matrix of Visual Culture. Working with Deleuze in Film Theory.
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Condizione: New. This work explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves. Series: Cultural Memory in the Present. Num Pages: 320 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 23. Weight in Grams: 544. . 2003. Hardback. . . . . Books ship from the US and Ireland. Codice articolo V9780804740272
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ISBN 13: 9780804740272
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Buch. Condizione: Neu. Neuware - This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark. Codice articolo 9780804740272
Quantità: 2 disponibili