Articoli correlati a Primitive Modernities: Tango, Samba, and Nation
Sinossi
Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music—tango and samba—to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuńo analyzes the aesthetic and ideological processes that enabled this transformation.
Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuńo understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.
Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuńo understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sugli autori
Florencia Garramuńo is Associate Professor and Founding Director of the Program in Brazilian Culture at the University of San Andrés in Buenos Aires.
Florencia Garramuńo is Associate Professor and Founding Director of the Program in Brazilian Culture at the University of San Andrés in Buenos Aires.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Primitive Modernities : Tango, Samba, and Nation
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Condizione: New. Primitive Modernities traces how the changing meaning of the primitive enabled the transformation of tango and samba-music considered primitive and marginal into art forms that symbolized the nations of Argentina and Brazil.Über den Autorr. Codice articolo 595015742
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Hardback. Condizione: New. 1st. Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuńo analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuńo understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies. Codice articolo LU-9780804762496
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