As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers,Writing, Directing, and Producing Documentary Films and Videos is a book about storytellinghow to tell great and moving stories about fascinating people, whether they be villains or heroes.”
In response to the technological advances of the last six years and the demands of cable TV stations like Discovery and A&E, Alan Rosenthal reconsiders how one approaches documentary filmmaking in the twenty-first century. Foregoing theory and hardware, Rosenthal tackles the day-to-day problems from initial concept through distribution, emphasizing the research and writing approach.
He offers examples of interviewing, narration writing, and the complexities of editing. Simply and clearly, Rosenthal explains how to write, direct, and produce the documentary, whether film or video. New aspects of this third edition include nonlinear editing techniques, a complex budget example and its analysis, plus a chapter on Staying Alive,” which details how European and U.S. stations approach documentary and how the Internet can help filmmakers find new markets. A new chapter has been added to address the growing genre of family films.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Alan Rosenthal was born in England, studied law at Oxford, and has made over sixty films for television. His books includeNew Challenges for Documentary, Why Docudrama? Fact-Fiction on Film and TV, andJerusalem: Take One! Memoirs of a Jewish Filmmaker.He received a Peabody Award for Journalism and the International Documentary Association’s award for scholarship. Currently he divides his time among projects in Jerusalem, London, and New York. His most recent film isAdolf Eichmann: The Secret Memoirs.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Paperback. Condizione: Very Good. A comprehensive guide for documentary filmmakers at all stages. In this third edition, in response to technological advances and the demands of cable television stations, Alan Rosenthal reconsiders how one approaches documentary filmmaking in the 21st century. Foregoing theory and hardware, Rosenthal tackles the day-to-day problems from initial concept through distribution, emphasizing the research and writing approach. He offers examples of interviewing, narration writing, and the complexities of editing. The text explains how to write, direct and produce the documentary, whether film or video. This third edition also covers nonlinear editing techniques, a complex budget example and its analysis, and a chapter on "staying alive", which details how European and US stations approach documentary and how the Internet can help filmmakers find new markets. A new chapter has been added to stress the growing genre of family films. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR001864476
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