Identity And Memory: The Films of Chantal Akerman

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9780809325139: Identity And Memory: The Films of Chantal Akerman

Considered to be one of the most influential auteurs in world cinema, Chantal Akerman (1950 - 2015) had a profound impact on both feminist filmmaking discourse and avant-garde film. She was an uncompromising and dedicated practitioner of the cinematic arts in works such as I...You...He...She (Je tu il elle,1974); Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975); Meetings with Anna (Les Rendez-vous d'Anna,1978); American Stories/Food, Family, and Philosophy (Histoires d'Amérique,1989); and From the East (D'Est,1993). Akerman created new and unexpected films that explore ideas about image, gaze, space, performance, and narration.

This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman's wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force. Along with a detailed filmography and bibliography, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity.

The contributors include Maureen Turim, Sandy Flitterman-Lewis, Jennifer M. Barker, Ivone Margulies, Catherine Fowler, Janet Bergstrom, Ginette Vincendeau, Gwendolyn Audrey Foster, Judith Mayne, and Kristine Butler.

Originally published in the United Kingdom by Flicks Books, this marks the first United States edition of Identity and Memory: The Films of Chantal Akerman.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

From the Author:

This book is also available in the original edition published by Flicks Books in 1999. That original edition is called Identity and Memory: The Films of Chantal Akerman (Cinema Voices) and is available in paper and hardcover here on Amazon.

From the Inside Flap:

"If you want to read more about her work through a feminist and queer critical lens, try Gwendolyn Audrey Foster's Identity And Memory: The Films of Chantal Akerman." -- AFTER ELLEN

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Gwendolyn Audrey Foster
Editore: Southern Illinois University Press, United States (2003)
ISBN 10: 0809325136 ISBN 13: 9780809325139
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Descrizione libro Southern Illinois University Press, United States, 2003. Paperback. Condizione libro: New. 3rd ed.. Language: English . Brand New Book. Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as I.You.He.She ( Je tu il elle , 1974); Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975); Meetings with Anna ( Les Rendez-vous d Anna , 1978); American Stories/Food, Family, and Philosophy ( Histoires d Amerique , 1989); and From the East ( D Est , 1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman s wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force.Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity. Codice libro della libreria AAC9780809325139

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Gwendolyn Audrey Foster
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Descrizione libro Southern Illinois University Press, United States, 2003. Paperback. Condizione libro: New. 3rd ed.. Language: English . Brand New Book. Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as I.You.He.She ( Je tu il elle , 1974); Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975); Meetings with Anna ( Les Rendez-vous d Anna , 1978); American Stories/Food, Family, and Philosophy ( Histoires d Amerique , 1989); and From the East ( D Est , 1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman s wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force.Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity. Codice libro della libreria AAC9780809325139

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Gwendolyn Audrey Foster
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ISBN 10: 0809325136 ISBN 13: 9780809325139
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Descrizione libro Southern Illinois University Press, United States, 2003. Paperback. Condizione libro: New. 3rd ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as I.You.He.She ( Je tu il elle , 1974); Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975); Meetings with Anna ( Les Rendez-vous d Anna , 1978); American Stories/Food, Family, and Philosophy ( Histoires d Amerique , 1989); and From the East ( D Est , 1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman s wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force.Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity. Codice libro della libreria BTE9780809325139

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Descrizione libro 2003. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780809325139

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Descrizione libro Southern Illinois University Press; 1st edition (April 28, 2003), 2003. Paperback. Condizione libro: New. Brand New book, never opened. Codice libro della libreria 020917053

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Descrizione libro Southern Illinois University Press. Paperback. Condizione libro: new. BRAND NEW, Identity and Memory: The Films of Chantal Akerman, Gwendolyn Audrey Foster, Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as "I.You.He.She" ("Je tu il elle", 1974); "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975); "Meetings with Anna" ("Les Rendez-vous d'Anna", 1978); "American Stories/Food, Family, and Philosophy" ("Histoires d'Amerique", 1989); and "From the East" ("D'Est", 1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman's wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force. Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity. Codice libro della libreria B9780809325139

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0809325136

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Descrizione libro Southern Illinois University Press, 2003. Paperback. Condizione libro: New. Codice libro della libreria DADAX0809325136

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