Identity and Memory: The Films of Chantal Akerman - Brossura

Brossura

ISBN 10: 0809325136 ISBN 13: 9780809325139

Casa editrice: Southern Illinois Univ Pr, 2003

Riassunto

Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as IYouHeShe (Je tu il elle,1974);Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975); Meetings with Anna (Les Rendez-vous d’Anna,1978); American Stories/Food, Family, and Philosophy(Histoires d’Amérique,1989); and From the East (D’Est,1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.

This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman’s wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force. Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity.

The contributors include Maureen Turim, Sandy Flitterman-Lewis, Jennifer M. Barker, Ivone Margulies, Catherine Fowler, Janet Bergstrom, Ginette Vincendeau, Gwendolyn Audrey Foster, Judith Mayne, and Kristine Butler.

Originally published in the United Kingdom by Flicks Books, this marks the first United States edition ofIdentity and Memory: The Films of Chantal Akerman.

Su questo libro

L'autore:

Gwendolyn Audrey Foster is an associate professor of English at the University of Nebraska and editor of theQuarterly Review of Film and Video. She is the author of Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity;Troping the Body: Gender, Etiquette, and Performance; and Captive Bodies: Postcolonialist Subjectivity in the American Cinema.

Product Description:

Considered to be one of the most influential auteurs in French cinema today, Chantal Akerman has had a profound impact on both feminist filmmaking discourse and avant-garde film. She has shown herself to be an uncompromising and dedicated practitioner of the cinematic arts in works such as "I...You...He...She" ("Je tu il elle", 1974); "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975); "Meetings with Anna" ("Les Rendez-vous d'Anna", 1978); "American Stories/Food, Family, and Philosophy" ("Histoires d'Amerique", 1989); and "From the East" ("D'Est", 1993). Akerman has continued to create new and unexpected films that explore ideas about image, gaze, space, performance, and narration.This collection of essays edited by Gwendolyn Audrey Foster assesses Akerman's wide-ranging oeuvre, particularly her exploration of identity and memory, and considers her development as an artist and as a social force. Along with a detailed filmography and bibliography, both compiled by Foster, ten of the key figures in contemporary feminist moving-image discourse explore the themes with which Akerman is preoccupied: sexuality and lesbian identity, subjectivity, alterity, quotidian reality, the mother-daughter relationship, and Jewish diasporic identity.

Su questa edizione

• Editore: Southern Illinois Univ Pr
• Data di pubblicazione: 2003
• ISBN 10: 0809325136
• ISBN 13: 9780809325139
• Rilegatura: Copertina flessibile
• Numero di pagine: 201
• Redattore: Foster Gwendolyn Audrey