Ambiguous Borderlands: Shadow Imagery in Cold War American Culture - Brossura

Mortenson, Erik

Brossura

ISBN 10: 0809334321 ISBN 13: 9780809334322

Casa editrice: Southern Illinois Univ Pr, 2016

Riassunto

The image of the shadow in mid-twentieth-century America appeared across a variety of genres and media including poetry, pulp fiction, photography, and film. Drawing on an extensive framework that ranges from Cold War cultural histories to theorizations of psychoanalysis and the Gothic, Erik Mortenson argues that shadow imagery in 1950s and 1960s American culture not only reflected the anxiety and ambiguity of the times but also offered an imaginative space for artists to challenge the binary rhetoric associated with the Cold War.
 
After contextualizing the postwar use of shadow imagery in the wake of the atomic bomb, Ambiguous Borderlands looks at shadows in print works, detailing the reemergence of the pulp fiction crime fighter the Shadow in the late-1950s writings of Sylvia Plath, Amiri Baraka, and Jack Kerouac. Using Freudian and Jungian conceptions of the unconscious, Mortenson then discusses Kerouac’s and Allen Ginsberg’s shared dream of a “shrouded stranger” and how it shaped their Beat aesthetic. Turning to the visual, Mortenson examines the dehumanizing effect of shadow imagery in the Cold War photography of Robert Frank, William Klein, and Ralph Eugene Meatyard.  Mortenson concludes with an investigation of the use of chiaroscuro in 1950s film noir and the popular television series The Twilight Zone, further detailing how the complexities of Cold War society were mirrored across these media in the ubiquitous imagery of light and dark.
 
From comics to movies, Beats to bombs, Ambiguous Borderlands provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the fifties and sixties.

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Informazioni sull'autore

Erik Mortenson is an assistant professor in the department of English and Comparative Literature at Koç University in Istanbul, Turkey. He is the author of Capturing the Beat Moment: Cultural Politics and the Poetics of Presence, which was selected as a Choice Outstanding Academic Title in 2011.

Dettagli dell'edizione

• Editore: Southern Illinois Univ Pr
• Data di pubblicazione: 2016
• Lingua: Inglese
• ISBN 10: 0809334321
• ISBN 13: 9780809334322
• Rilegatura: Copertina flessibile
• Numero di pagine: 307
• Contatto del produttore: non disponibile
• Persona responsabile: Mare Nostrum Group B.V.; gpsr@mare-nostrum.co.uk; ; Doelen 72; Breda; 4831 GR; Paesi Bassi