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9780810123182: Anthony Mccall: The Solid Light Films And Related Works

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Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema, but because it was most often screened in dusty Soho lofts in the past, the piece was little known to a wider audience. The inclusion of Line Describing a Cone,1973 in the Whitney Museum of American Art exhibition "Into the Light: the Projected Image in American Art, 1964-1977" has opened McCall's work to a great deal of interest both in America and abroad. While curators are only now beginning to mine the history of the projected image in art, McCall continues to be one of the most important of the Post-Minimalist artists to use projected film.

This book includes a major essay by Branden Joseph, an interview with the artist by Jonathan Walley, and the first photo-documentation ever made of his pieces as well as diagrams of related works. Additional biographical and bibliographic materials are included in the book to provide a baseline for further scholarly research in the area, as well as 100 never-before-seen reproductions of historical photographs, sketches, and diagrams from the artist's archive. New photography of the never-before-photographed Long Film For Four Projectors, 1974 was commissioned for this book. Anthony McCall: The Solid Light Films and Related Works is a co-publication with the New Art Trust in San Francisco, California.

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Christopher Eamon is curator of the Pamela and Richard Kramlich Collection of Media Art and director of New Art Trust, a foundation dedicated to the promotion of research and scholarship in the field of time-based media. His curatorial credits include "Christian Marclay and Julie Becker" (Whitney Museum of American Art, 2001) and "Video Acts: Single-Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust" (PS1 Contemporary Art Center, 2002/3 and ICA London, 2003).

Branden Joseph is assistant professor in the department of art history at the University of California, Irvine. He is author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003) and an editor of the journal Grey Room.

Jonathan Walley is a graduate student in film studies at the University of Wisconsin-Madison. He has taught at the University of Wisconsin and Southern Methodist University, and has published essays in October, The Velvet Light Trap, and the online film journal Senses of Cinema.


Christopher Eamon is curator of the Pamela and Richard Kramlich Collection of Media Art and director of New Art Trust. His curatorial credits include "Christian Marclay and Julie Becker" (Whitney Museum of American Art, 2001) and "Video Acts: Single-Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust" (PS1 Contemporary Art Center, 2002/3 and ICA London, 2003).

Branden Joseph is assistant professor in the department of art history at the University of California, Irvine. He is author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003) and an editor of the journal Grey Room.

Jonathan Walley is a graduate student in film studies at the University of Wisconsin-Madison.


Christopher Eamon is curator of the Pamela and Richard Kramlich Collection of Media Art and director of New Art Trust. His curatorial credits include "Christian Marclay and Julie Becker" (Whitney Museum of American Art, 2001) and "Video Acts: Single-Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust" (PS1 Contemporary Art Center, 2002/3 and ICA London, 2003).

Branden Joseph is assistant professor in the department of art history at the University of California, Irvine. He is author of Random Order: Robert Rauschenberg and the Neo-Avant-Garde (MIT Press, 2003) and an editor of the journal Grey Room.

Jonathan Walley is a graduate student in film studies at the University of Wisconsin-Madison.

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9783865211415: Anthony McCall. Solid Light Films and Related Works

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ISBN 10:  3865211410 ISBN 13:  9783865211415
Casa editrice: Steidl Verlag, 2005
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Eamon, Christopher; Joseph, Branden W.; Walley, Jonathan
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Soft cover. Condizione: Near Fine. 1st Edition. 172 pp. Softcover, bound in wraps. Lightly rubbed. Codice articolo M23-Bx71-N

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Soft cover. Condizione: As New. 1st Edition. First edition. Softcover. 172 pages. Anthony McCall's Line Describing a Cone has long been a classic of American avant-garde cinema. McCall continues to be one of the most important of the Post-Minimalist artists to use projected film. This book includes a major essay by Branden Joseph, an interview with the artist by Jonathan Walley, and the first photo-documentation ever made of his pieces as well as diagrams of related works. Features 100 never-before-seen reproductions of historical photographs, sketches, and diagrams from the artist's archive. New photography of the never-before-photographed Long Film For Four Projectors, 1974 was commissioned for this book. Includes numerous color and black and white images, biography and lists of selected films, selected performances, list of previous exhibitions and screenings, and selected bibliography. Codice articolo ABE-1712096621998

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Eamon, Christopher; Branden W. Joseph; Jonathan Walley
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Soft cover. Condizione: Very Good. 1st Edition. Softcover, 172 pages. Light shelfwear to covers; interior clean and unmarked. A well-preserved copy of this important monograph. Published in conjunction with the New Art Trust, this comprehensive volume delves into Anthony McCall's pioneering "solid light" films, which merge cinema, sculpture, and performance. The book features a major essay by Branden W. Joseph, an interview with McCall by Jonathan Walley, and the first photo-documentation of his works, including diagrams and previously unpublished photographs from the artist's archive. Notably, new photography of Long Film for Four Projectors (1974) was commissioned specifically for this publication. This volume is an essential resource for scholars and collectors interested in avant-garde cinema, post-minimalist art, and the intersection of light, space, and perception. Codice articolo ABE-1746726174523

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Soft cover. Condizione: Very Good. 1st Edition. Excellent used condition; Uncreased spine, Unmarked text, ships from Berlin Bookshop bxn42. Codice articolo 10004459

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McCALL, Anthony, Branden W. Joseph, and Jonathan Walley
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First edition. Softcover. 172 pages. Foreword by Pamela and Richard Kramlich. Introduction by editor Christopher Eamon. Essay by Branden W. Joseph with the text of an interview of McCall by Jonathan Walley. Includes numerous color and black and white images, biography constituted of lists of selected films, selected performances, list of previous exhibitions and screenings, and selected bibliography. A clean near fine copy in French style wrappers. Codice articolo 171079

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172 pp.; 28.6 x 22.9 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Anthony McCall. Texts by Brandon W. Joseph and interview with McCall by Jonathan Walley. Edited by Christopher Eamon. Includes a biography and bibliography. Very Good / Fine. Very light wear to covers, contents are clean and unmarked. Codice articolo 5947

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