Fernande Olivier was the first real love in the life of Pablo Picasso, and the years she spent with the great artist, 1904 to 1912, coincide with the period of some of his most revolutionary work. Here, in her compelling and revelatory journal, published for the first time in English, Olivier vividly depicts her turbulent relationship with Picasso and, in her letters to Gertrude Stein, Alice B. Toklas, and Guillaume Apollinaire, sheds new light on the Parisian art scene of the early 20th century.
Loving Picasso brings Olivier’s memoirs to life with archival photographs, reproductions of her own artwork, paintings for which she modeled before she met Picasso, and a selection of superb portraits of her by Picasso himself. A foreword and notes by Picasso scholar Marilyn McCully set the journal and letters in context, and an epilogue by distinguished art historian and Picasso biographer John Richardson tells the story of Olivier’s life after her final breakup with Picasso.
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Fernande Olivier was Picasso's first great love. Happily for us, she had a lively writing style and a keen eye for detail. Illustrated with more than 80 contemporary photographs and paintings, Loving Picasso: The Private Journal of Fernande Olivier is a compulsively readable account of the quarrels, escapades, pleasures, and privations of the young artist and his circle between 1905 and 1912. The two met when Olivier was working as an artist's model, having escaped a loveless childhood and a disastrous early marriage. This book smoothly melds retranslated material from her 1933 memoir (Picasso et ses amis) with the posthumously published Souvenirs intimes and selections from her correspondence, including her plaintive letters to Alice B. Toklas during a lonely holiday with Picasso in rural Spain.
Honest to the point of bluntness, Olivier--whom Picasso eventually abandoned for Eva Gouel, a younger, more passive friend of hers--sums up her lover as a workaholic, an impulse buyer (when he had cash) of bric-a- brac and good furniture, a contrarian who found charm in wearing peculiar outfits and pretending he had no taste, and a jealous lover who often kept her locked up when he went out. She describes their home, the Bateau Lavoir in Montmartre, as "a weird, squalid building echoing from morning to night with every kind of noise: discussion, singing, shouting, calling, the sound of buckets used to empty the toilet clattering noisily on the floor ... doors slammed, suggestive moaning coming through the closed doors of the studios."
As Picasso biographer John Richardson relates in an afterword, Olivier never rebounded from her rejection by Picasso. Her middle years were dogged by faithless lovers, financial woes, and Gertrude Stein's deviousness (agreeing to help Olivier publish her memoirs, Stein instead wrote her own version of the era). --Cathy CurtisAbout the Author:
Marilyn McCully has published many books and articles on Picasso, and has organized exhibitions of the artist's work, most recently "Picasso: Painter and Sculptor in Clay" at the Royal Academy of Arts, London, and the Metropolitan Museum of Art in New York. She lives in London.
John Richardson is a noted authority on Picasso's life and work. He is currently working on the third volume of his acclaimed biography of the artist, A Life of Picasso. He lives in New York City.
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Descrizione libro Harry N. Abrams, 2001. Hardcover. Condizione libro: New. book. Codice libro della libreria M0810942518
Descrizione libro Harry N. Abrams, 2001. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0810942518
Descrizione libro Harry N. Abrams, 2001. Hardcover. Condizione libro: New. Never used!. Codice libro della libreria P110810942518
Descrizione libro Harry N. Abrams. Hardcover. Condizione libro: New. 0810942518 New Condition. Codice libro della libreria NEW7.0396544