Some of the earliest feature films were derived from classic literature. Even today, most of the movies we see are adaptations of one kind or another. People who have never read Jane Austen can see her characters on the screen; but filmgoers can also see material taken from theater, television, comic books, and every other medium.
The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the
films described as adaptions seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told?
Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact.
(Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
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Da: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.
Softcover. square, uncreased spine;; overall sound. x, 258pp; Good Pencil marks on pages 173-188, otherwise clean soft cover shows only nominal shelfwear at corners incl. index. Codice articolo 00092852
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Good. Offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term adaptation itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. Codice articolo 00072074626
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Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Codice articolo 0813528143-8-1
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Good. Offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term adaptation itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. Codice articolo CIN0813528143G
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Condizione: As New. Unread book in perfect condition. Codice articolo 220115
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Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR003419256
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Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Film Adaptation. Book. Codice articolo BBS-9780813528144
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Da: BOOKHOME SYDNEY, Annandale Sydney, NSW, Australia
1st ed. Paperback octavo, very good condition, black & white text-photos, top edge & fore-edge lightly marked, some edgewear corners. 258 pp. The essays in this book, most of which have never been published, raise fundamental questions about cinema and adaptation. This book is a fresh look at art, theory, and cultural politics of movie adaptations. Edited and introduced by Naremore. Codice articolo 27099
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. illustrated edition. 272 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand. Codice articolo __0813528143
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