Sinossi
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror.
Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow.
Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow.
Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
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Informazioni sull'autore
Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968, and has edited Screening Violence, also in the Depth of Field Series.
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The Horror Film [Rare HARDCOVER edition]
Editore:
Rutgers University Press, New Brunswick, New Jersey, 2004
ISBN 10: 0813533627
ISBN 13: 9780813533629
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Da: About Books, Henderson, NV, U.S.A.
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Hardcover. Condizione: Near Fine condition. Condizione sovraccoperta: No dust jacket. NOT a library discard (illustratore). First Edition. New Brunswick, New Jersey: Rutgers University Press, 2004. Rare HARDCOVER edition. Appears unread. Near Fine condition. Sharp corners. NOT a library discard. NO owner's name or bookplate. Pages are fresh, crisp, clean and unmarked - apparently never read. Bound in the original black cloth, stamped in bright and shiny metallic red on the spine. First Edition. Hardcover. Near Fine condition/No dust jacket. Illus. by NOT a library discard. vii, 272pp. Great Packaging, Fast Shipping. Codice articolo 023254
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The Horror Film
Editore:
Rutgers Univ Pr, New Brunswick, 2004
ISBN 10: 0813533627
ISBN 13: 9780813533629
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Prima edizione
Da: Works on Paper, DeKalb, IL, U.S.A.
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Hardcover. Condizione: New. No Jacket. First Edition. A new copy of the first hard cover edition, lacking the dust-jacket, originally purchased directly from the publisher. The text is of course wholly unmarked, pristine, and the binding bright and fresh in appearance. A brilliant copy. Codice articolo 012189
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