<p>In their thoughtful study of one of Stanley Cavell’s greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher’s many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. </p><p>Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium’s artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are.</p><p>Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell’s brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. </p><p>Reading Cavell’s The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell’s work provocative an fruitful.</p>
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
<p>William Rothman is a professor of motion pictures and director of the Graduate Program in Film Studies at the University of Miami. He is the author of the definitive Hitchcock—The Murderous Gaze (Harvard University Press, 1982), The "I" of the Camera: Essays in Film History, Criticism and Aesthetics (Cambridge University Press, 1989), and Documentary Film Classics (Cambridge University Press, 1998)</p><p>Marian Keane is an assistant professor of film studies at the University of Colorado.</p>
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Codice articolo M0814328962Z3
Quantità: 1 disponibili
Da: Chaparral Books, Portland, OR, U.S.A.
Paperback. Condizione: Very Good. First Edition, first printing . Text and images unmarked. Previous owner's name written on the inside front cover. The wrapper shows some very light handling. 8vo. 294pp. Codice articolo DERHAMkeaRC
Quantità: 1 disponibili
Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780814328965. Codice articolo 9946857
Quantità: 1 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 218094
Quantità: Più di 20 disponibili
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo L0-9780814328965
Quantità: Più di 20 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 218094-n
Quantità: Più di 20 disponibili
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. In their study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of ""The World Viewed"" within the totality of his writings about film. The authors also reintroduce ""The World Viewed"" to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism film called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge ""The World Viewed"" took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, ""The World Viewed"" teaches, we cannot know what movies mean, or what they are. Rothman and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has foresaken its original calling. Read in a way that acknowledges its philosophical achievement, ""The World Viewed"" can show the field a way to move forward by rediscovering its passion for the art of film. The title should be useful to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful. Codice articolo LU-9780814328965
Quantità: Più di 20 disponibili
Da: Burton Lysecki Books, ABAC/ILAB, Winnipeg, MB, Canada
[0-8143-2896-2] 2000. (Trade paperback) Near fine. 294pp. Photographs, appendix, notes, index. "Stanley Cavell's The World Viewed is a masterpiece of philosophical reflection on the ontology and phenomenology of film, but, almost 30 years from its publication, it has proven difficult for some readers and for the field of Film Studies to assimilate. Now William Rothman and Marian Keane's commentary should make it possible for Cavell's book to take its appropriate place in our intellectual life. Their book is beautifully written, and not only corrects mistaken responses to Cavell but goes beyond exposition to interpretive commentary - this is a superb addition to the growing literature on Cavell's work" - Stanley Bates, Middlebury College. Book about Stanley Cavell. Publisher series: Contemporary Film and Television Series. (Movies, Film, Film Criticism, Film Critics, Film Theory, Movies). Codice articolo 142050
Quantità: 1 disponibili
Da: Chiron Media, Wallingford, Regno Unito
Paperback. Condizione: New. Codice articolo 6666-IUK-9780814328965
Quantità: Più di 20 disponibili
Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In English. Codice articolo ria9780814328965_new
Quantità: Più di 20 disponibili