Displays of Power: Memory and Amnesia in the American Museum - Rilegato

Dubin, Steven C.

 
9780814718896: Displays of Power: Memory and Amnesia in the American Museum

Sinossi

Museums have become ground zero in America's culture wars. Whereas fierce public debates once centered on provocative work by upstart artists, the scrutiny has now expanded to mainstream cultural institutions and the ideas they present. In Displays of Power, Steven Dubin, whose Arresting Images was deemed "masterly" by the New York Times, examines the most controversial exhibitions of the 1990s. These include shows about ethnicity, slavery, Freud, the Old West, and the dropping of the atomic bomb by the Enola Gay. This new edition also includes a preface by the author detailing the recent Sensation! controversy at the Brooklyn Museum. Displays of Power draws directly upon interviews with many key combatants: museum administrators, community activists, curators, and scholars. It authoritatively analyzes these episodes of America struggling to redefine itself in the late 20th century.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

L'autore

Steven C. Dubin's most recent book, Arresting Images, was named a New York Times Notable Book of the Year (1992). He is the Director of the Media, Society, and the Arts Program at the State University of New York, Purchase.

Product Description

In the past, museum exhibitions in the USA glorified wealth and validated authority, but today they often represent new interests, and pressure groups mobilize either to force their own perspective upon museum walls or to prevent opposing opinions from being expressed. Examining some of the USA's most controversial museum exhibitions of the 1990s, this work encompasses topics such as ethnicity, slavery, Freud, the Old West, and the atomic bomb. Some of these exhibitions challenged standard perceptions, whilst others were faulted for failing to do so. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.