Printmaking Revolution
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Dwight Pogue is a professor of art at Smith College, where he has taught printmaking and drawing for 25 years. He is the founder and director of the Smith College Workshop, which, since 1984, has brought some of the country’s most celebrated artists to Smith to collaborate with master printers in creating limited edition prints. A Fulbright recipient and professional artist, Pogue has work in several national juries exhibitions, as well as private and public collections. He lives in Northhampton, MA.
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Traditional lithography can now be safer and simpler with no sacrifice of quality thanks to new materials that replace phosphoric and nitric acid, acetone, naptha, asphalt, lithotine, paint thinner, and lacquer bases. The following is a step-by-step procdure for using these new materials-- first, for stone lithogrpahy, and then for ball-grained plate lithography.
In recent years stone lithography seems to have fallen out of favor with college and university printmaking programs, probably because of increasing environmental awareness and stricter EPA regulations. Instructors correctly wish their students to avoid working with hazardous materials, such as nitric acid and lithotine. Thanks to the innovations discussed in this book, stone lithography can once again become part of the printmaking curriculum.
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Condizione: New. 2012. Hardcover. A resource for art school and university students, master printers, and fine artists who work with printmaking media. It provides the advancements in the three major printmaking mediums of etching, lithography, and screen-printing. It demonstrates how to embrace green materials and practices, without sacrificing the quality of fine art prints. Num Pages: 240 pages, full colour throughout, includes 225 illustrations. BIC Classification: AFH. Category: (G) General (US: Trade). Dimension: 282 x 222 x 22. Weight in Grams: 1212. . . . . . Codice articolo V9780823008124
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