Articoli correlati a Raymond Pettibon: (E)

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The definitive collection of Raymond Pettibon’s art, spanning from his early flyers for the influential punk band Black Flag through his most recent political work, including much unpublished material. Perhaps unlike any artist of his generation, Raymond Pettibon best captured the discontent and counterculture spirit of the late 1970s and early ‘80s in America. Immersed in the punk scene in Southern California, Pettibon devoted his earliest work to flyers for Black Flag and zines that he created and sold in local record stores. His distinctive style took shape in those early days: slyly sophisticated pen-and-ink drawings with cartoonlike flourishes. With biting irony and a searing wit, Pettibon let loose on the hypocrisies and greed of the capitalist political machine. His work captured the attention of the L.A. art scene and, eventually, the larger art world. This book—produced in close collaboration with the artist—is the most comprehensive volume on Pettibon’s work to date. It explores his art over the past thirty years, including many previously unpublished works, as well as works from zines and posters and excerpts from screenplays. Also included is a collaboration between Jonathan Lethem and the artist, commissioned specifically for the book. This extraordinary package—a slipcased volume—is fitting for an artist of his import and influence.

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Informazioni sull'autore

Ralph Rugoff is the director of the Hayward Gallery in London. Robert Storr is the dean of the Yale University School of Art. Jonathan Lethem is one of the foremost novelists of today. Kitty Scott is curator of Modern and Contemporary Art at the Art Gallery of Ontario, Toronto. Byron Coley is a well-regarded music writer.

Dalla quarta di copertina

In the early 1980s California-based artist Raymond Pettibon first began making his signature inkwash drawings - combinations of cartoon-like images with short, enigmatic texts - to adorn the record covers of underground music groups like Black Flag and Sonic Youth. After turning a generation of punk fans into unwitting art collectors, Pettibon was gradually picked up by the established art world as an artist producing some of the most unusual new representational artwork being made. Although he also produced paintings, collages, artist's book, videos and fanzines, Pettibon is known for his prolific production of drawings. These drawings have a great cumulative effect; they become increasingly intriguing the more one sees of them. Much has been made of Pettibon's literary background and reclusive personality as the biographical sources for these humorous yet dark, complex pictures. Yet the artist claims that his work has nothing to do with his own experience but is culled from the printed pages of American popular underground culture: Gumby, Ronald Reagan, surfers, Joan Crawford. At times his drawings seem almost dashed off from a comic strip; other are more painstakingly drawn. Most are in a simple graphic style combined with bits of text - sometimes weiredly connected to the imagery, but often providing baffling non-sequiturs. His unusual draftsmanship and mysterious personality have made him one of the most sought-after artists currently working in America. After appearing in numerous Whitney Biennials, in recent years Pettibon had his first museum-organized retrospective (at New York's Museum of Modern Art and the Drawing Centre) with more than 500 drawings covering some 20 years' work, establishing definitively his reputation in the uppermost ranks of contemporary American art.

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