A beautifully illustrated, in-depth look at recent works by David Reed, an American artist who brings conceptual interests in process and duration to his abstract paintings.
Since the outset of his career, David Reed’s central preoccupation has been to challenge and reinvent how to make a painting. Consistently, his paintings present a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of color and light in a flattened manner that looks photographic or filmic.
David Reed documents the artist’s 2020 exhibition of new work at Gagosian in New York, presenting 15 outsize paintings that, in many cases, were over a decade in the making. The plates are punctuated by striking details of several works. The artist’s “working drawings,” which he has long made to document the many stages of a painting’s creation, are illustrated throughout the plate section, offering insights into his varied sources and complex processes.
A new essay by art historian Richard Shiff examines the emotional tenor of Reed’s paintings.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Richard Shiff is the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, where he directs the Center for the Study of Modernism.
Since the outset of his career, David Reed's central preoccupation has been to challenge and reinvent how to make a painting. Consistently, his paintings present a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of colour and light in a flattened manner that looks photographic or filmic. David Reed documents the artist's 2020 exhibition of new work at Gagosian in New Y
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 156 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. Codice articolo DaReGa40.1
Quantità: 1 disponibili
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condizione: Good. Bruise/tear to spine and slice to cover. Codice articolo RZ-HC39-G-0847871762
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
Condizione: new. Codice articolo MH6OC05HV7
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. color pictorial boards w/ white printing. approx 156 pgs w/ color illustrations. This book was published on the occasion of David Reed, an exhibition of new paintings at Gagosian, 980 Madison Avenue, New York. Since the outset of his career, Reed's central preoccupation has been to challenge and reinvent how paintings are made. His work consistently presents a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of color and light in a flattened manner that looks photographic or filmic.The publication documents fifteen outsize paintings that, in many cases, were over a decade in the making. The plates are punctuated by striking details of several works. The artist's "working drawings," which he has long made to document the many stages of a painting's creation, are illustrated throughout the plate section, offering insights into his varied sources and complex processes. The volume also features a new essay by art historian Richard Shiff that examines the emotional tenor of Reed's paintings.--Publisher. VG (May have bumping, rubbing to boards, edges & corners). Codice articolo 197384
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Da: moluna, Greven, Germania
Condizione: New. Richard Shiff is the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin, where he directs the Center for the Study of Modernism. A beautifully illustrated, in-depth look at recent works by David Reed, an American a. Codice articolo 497927546
Quantità: Più di 20 disponibili
Da: AHA-BUCH GmbH, Einbeck, Germania
Buch. Condizione: Neu. Neuware - A beautifully illustrated, in-depth look at recent works by David Reed, an American artist who brings conceptual interests in process and duration to his abstract paintings. Since the outset of his career, David Reed's central preoccupation has been to challenge and reinvent how to make a painting. Consistently, his paintings present a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of color and light in a flattened manner that looks photographic or filmic. David Reed documents the artist's 2020 exhibition of new work at Gagosian in New York, presenting 15 outsize paintings that, in many cases, were over a decade in the making. The plates are punctuated by striking details of several works. The artist's "working drawings," which he has long made to document the many stages of a painting's creation, are illustrated throughout the plate section, offering insights into his varied sources and complex processes. A new essay by art historian Richard Shiff examines the emotional tenor of Reed's paintings. Codice articolo 9780847871766
Quantità: 2 disponibili
Da: Revaluation Books, Exeter, Regno Unito
Hardcover. Condizione: Brand New. 156 pages. 11.50x9.00x0.61 inches. In Stock. Codice articolo 0847871762
Quantità: 1 disponibili