What is a print? This volume aims to answer that question by exploring the four basic printmaking techniques – woodcut, intaglio, lithography and screenprint – that have been used to create some of the most iconic images in modern art, from Paul Gauguin’s Noa Noa to AndyWarhol’s Marilyn Monroe. Illustrated with works fromThe Museum of Modern Art’s superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as the democratic ideas about distribution and social and political function. Featured works range from Edvard Munch’s radical woodcut experiments from the 1890s to KelleyWalker’s digital experiments of the last several years, and include prints by modern masters like Pablo Picasso and Joan Miró as well as those made by a roster of international contemporary artists who continue to explore and expand these techniques today.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
What is a print? This volume aims to answer that question by exploring the four basic printmaking techniques woodcut, intaglio, lithography and screenprint that have been used to create some of the most iconic images in modern art, from Paul Gauguins Noa Noa to AndyWarhols Marilyn Monroe. Illustrated with works fromThe Museum of Modern Arts superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as the democratic ideas about distribution and social and political function. Featured works range from Edvard Munchs radical woodcut experiments from the 1890s to KelleyWalkers digital experiments of the last several years, and include prints by modern masters like Pablo Picasso and Joan Miró as well as those made by a roster of international contemporary artists who continue to explore and expand these techniques today.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Oversized Hardcover. Condizione: Good. This volume aims to answer the question, What is a print? by exploring the four basic printmaking techniques â" woodcut, intaglio, lithography and screenprint â" that have been used to create some of the most iconic images in modern art, from Paul Gauguinâs Noa Noa to Andy Warholâs Marilyn Monroe. Illustrated with works from The Museum of Modern Artâs superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as democratic ideas about distribution and social and political function. Illus., 170 color. 168p. Codice articolo 2325094
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Hardcover. Condizione: new. Hardcover. What is a print? This volume aims to answer that question by exploring the four basic printmaking techniques - woodcut, intaglio, lithography and screenprint - that have been used to create some of the most iconic images in modern art, from Paul Gauguin's Noa Noa to AndyWarhol's Marilyn Monroe. Illustrated with works fromThe Museum of Modern Art's superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as the democratic ideas about distribution and social and political function. Featured works range from Edvard Munch's radical woodcut experiments from the 1890s to KelleyWalker's digital experiments of the last several years, and include prints by modern masters like Pablo Picasso and Joan Miro as well as those made by a roster of international contemporary artists who continue to explore and expand these techniques today. What is a print? This title intends to answer that question by exploring the four basic printmaking techniques - woodcut, intaglio, lithography and screenprint - that have been used to create some of the most iconic images in modern art, from Paul Gauguin's "Noa Noa" to Andy Warhol's "Marilyn Monroe". Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780870708183
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Condizione: New. pp. 168 151 Illus. Codice articolo 4273658
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