Sociologists have always been fascinated with music. In some way or another they have encountered music as an important social force in its own right, as an accompaniment or by-product of phenomena they studies (such as youth culture or the drug scene). This book goes one step towards culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of extensive writings on music and society by Paul Honisgsheim
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Paul Honigsheim
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