Almost everything we know about the past comes from physical and narrative fragments. Yet a fragment is not simply the static part of a once-whole thing. It is itself something in motion over time, manifesting successively or variously as object, evidence, concept, and condition.
The pieces gathered in this volume--written by scholars of art, art history, archaeology, literature, philosophy, psychology, numismatics, and film--investigate the significance of the fragment, whether received or created. Each essay offers a meditation on a distinctive moment in the history of the fragment, ranging from spolia in late antique architecture to the practice of collage in the modern period. Complementing these texts is a visual essay by the English sculptor and installation artist Cornelia Parker, whose oeuvre contemplates not only the power of relics but also the meaning conveyed by found objects made into art.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
William Tronzo has held research appointments at the American Academy in Rome, Dumbarton Oaks Center for Byzantine Studies, École des hautes études en sciences sociales, and Stanford Humanities Center.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Friends of Poughkeepsie Library, Poughkeepsie, NY, U.S.A.
Rear board mildly warped. Boards and spine with superficial markings-scuffing, scraping, scratching. Edge wear. Spine tips/joints with crease and edge wear. Corners rubbed, chipped. Black marker to front pastedown. Internally very good. Shelf 6b. Codice articolo 4040
Quantità: 1 disponibili
Da: David's Books, Ypsilanti, MI, U.S.A.
Hardcover. Condizione: Very Good+. Top corner bumped else as new; Issues & Debates. Codice articolo 1000137044
Quantità: 1 disponibili
Da: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed. Codice articolo 51C54_62_0892369264
Quantità: 1 disponibili