Behind the fascinating public artist’s practice of collaboration
Judith F. Baca is best known for the Great Wall of Los Angeles (1976–83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California—one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca’s pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.
Anna Indych-López explores Baca’s oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist’s ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca’s “public art of contestation” and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca’s art practice.
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Anna Indych-López is associate professor of art history at The City College of New York and The Graduate Center, CUNY, specializing in Latin American modernisms and Latin American and Latinx contemporary art. She is author of Muralism without Walls: Rivera, Orozco and Siqueiros in the United States, 1927–1940 and co-author of Diego Rivera: Murals for The Museum of Modern Art.
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Good. Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976-83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California--one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work. Anna Indych-López explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice. Codice articolo CIN0895511606G
Quantità: 1 disponibili
Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Good. Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (1976-83), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California--one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work. Anna Indych-López explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-López assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice. Codice articolo CIN0895511606G
Quantità: 1 disponibili
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0895511606I2N00
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Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780895511607
Quantità: Più di 20 disponibili
Da: PASCALE'S BOOKS, NORTH READING, MA, U.S.A.
Soft Cover. Condizione: Fine. 190 pages, illustrated in color and b&w. "This book, long overdue, gives us insight into how Baca's traits of curiosity, problem solving, and passionate inquiry has served her goal of justice through arts." FINE SOFTCOVER Size: 8vo - over 7¾" - 9¾" tall. Codice articolo 036691
Quantità: 1 disponibili
Da: Montclair Book Center, Montclair, NJ, U.S.A.
Trade Paperback. Condizione: USED Very Good. Signed and inscribed by the artist. Codice articolo 621796
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Da: G.M. Isaac Books, Winston-Salem, NC, U.S.A.
Soft cover. Condizione: As New. (Wrappers and Text are Clean, neat, and tight). Book. Codice articolo 000190
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Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 30563670
Quantità: 7 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 30563670-n
Quantità: 7 disponibili
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Behind the fascinating public artist's practice of collaboration Judith F. Baca is best known for the Great Wall of Los Angeles (197683), a vibrant 2,740-foot mural in Los Angeles that presents an alternative history of California-one that focuses on the contributions of marginalized and underrepresented communities. The mural is emblematic of Baca's pioneering approach to creating public art, a process in which members of the community are essential contributors to the conception and realization of the work.Anna Indych-Lpez explores Baca's oeuvre, from early murals painted with local gang members in the Boyle Heights neighborhood of Los Angeles to more recently commissioned works. She looks in depth at the Great Wall and considers the artist's ongoing work with the Social and Public Art Resource Center (SPARC) in Venice, California, a nonprofit group founded by Baca in 1976. Throughout, Indych-Lpez assesses what she calls Baca's "public art of contestation" and discusses how ideas of collaboration and authorship and issues of race, class, and gender have influenced and sustained Baca's art practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780895511607
Quantità: 1 disponibili