“My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect.” —Will Barnet, 1962
Will Barnet (1911–), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction.
As McGrady traces work during this decisive period in Barnet’s career, he shows how drawing became increasingly important in the evolution of such major paintings asMother and Child, The Blue Robe, and Eden. In addition, McGrady provides a richly documented discussion of critics’ responses to the profound changes in Barnet’s art and Barnet’s own commentary on his goals as an abstract artist.
Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Da: Wonder Book, Frederick, MD, U.S.A.
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Codice articolo S15K-00383
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Da: Orca Knowledge Systems, Inc., Novato, CA, U.S.A.
paperback. Condizione: Very Good. First Edition. Unread. No markings in book. Binding is fine. 31pp. Codice articolo mon0000031250
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Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780911209594
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. 'My interest has been in developing further the plastic convictions that have been evolving in my abstract paintings; so that a portrait, while remaining a portrait, becomes in this sense an abstraction: the idea of a person in its most intense and essential aspect' - Will Barnet, 1962. Will Barnet (1911), much like Chuck Close and Alex Katz, has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. In this book, which accompanied an exhibition of the same name at the Palmer Museum of Art and the Alexandre Gallery, Patrick J. McGrady examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. As McGrady traces work during this decisive period in Barnet's career, he shows how drawing became increasingly important in the evolution of such major paintings as "Mother and Child", "The Blue Robe", and "Eden". In addition, McGrady provides a richly documented discussion of critics' responses to the profound changes in Barnet's art and Barnet's own commentary on his goals as an abstract artist.Will Barnet illustrates many of the forty-nine works in the 2003 exhibition and includes a checklist of the exhibition as well as reproductions of comparative works. Patrick J. McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University. Will Barnet has approached painting through sustained exploration of the relationship between abstract, geometric forms and the processes of perception. This book examines the paintings, drawings, and prints Barnet made in the 1960s, the decade when Barnet portrayed his family and renegotiated his commitment to pure abstraction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780911209594
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Da: Dilly Dally, Mobile, AL, U.S.A.
Soft cover. Condizione: Fine. Inscribed by Will Barnet on title page, no other markings. Very tight binding, no reading creases. Very slight outer wear. Inscribed by Illustrator(s). Codice articolo W773
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. Condizione: VG. Color-illustrated wraps with white lettering. 31 pp. Color and BW illustrations. Exhibitin catalogue. With a title essay by Patrick McGrady, Curator. Includes an exhibition checklist. Codice articolo 31405
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Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condizione: Fine Condition. 32 pages. Paperback. Texts in English. 37 illustrations 33 in color. Foreword by Jan Keene Muhlert, Director. Published on the occasion of the exhibition from the Palmer Museum of Art, Pennsylvania State University, University Park, PA May 10-October 5, 2003. Exhibition Checklist. Book. Codice articolo 000285
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Num Pages: 32 pages, 28 colour/4 b&w illustrations. BIC Classification: ACXJ; AFC; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 9 x 11 x 5. Weight in Grams: 299. . 2004. Illustrated. paperback. . . . . Codice articolo V9780911209594
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. illustrated edition. 32 pages. 10.80x8.30x0.20 inches. In Stock. Codice articolo x-091120959X
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