Sinossi
Life on the volcanic island of Montserrat is the subject of these poems. They explore its vulnerability to the forces of nature - Hurricane Hugo and the erupting Soufriere, which even before its current devastations "opened a new bible/ in her pulpit in the hills/to teach us the arithmetic of days".
A sequence of obituary poems reminds that in a small society - a "two-be-three island/hard like rock" - people are the one true resource. The theme of the irreplaceability of individual lives takes on a special poignance as Montserrat's viability is threatened by the flight of its population.
A historian of Montserrat's continuous existence as a society since the seventeenth century, Howard Fergus writes with both love and anger about the frustrations of "this British corridor", still hemmed in by colonialism.
Beyond Montserrat, he looks for a place in the wider Caribbean, but finds the unity he seeks only in cricket (and crime). In cricket, he finds a major irony: that through a white-flannelled colonial rite, the West Indies finds its only true political framework and the means - explored in a celebration of Brian Lara's feats of 1994 - to overturn, symbolically at least, centuries of enslavement and colonialism.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Product Description
These poems explore the nature of living on Montserrat, a ''two be three island/hard like rock'', vulnerab le to the forces of nature. Beyond Montserrat, Fergus looks for a wider Caribbean unity but finds it only in cricket and crime. '
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Lara Rains & Colonial Rites
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Lara Rains and Colonial Rites (Paperback)
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Peepal Tree Press Ltd, Yorkshire, 1998
ISBN 10: 0948833955
ISBN 13: 9780948833953
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Paperback. Condizione: new. Paperback. These poems explore the nature of living on Montserrat, a ''two be three island/hard like rock'', vulnerab le to the forces of nature. Beyond Montserrat, Fergus looks for a wider Caribbean unity but finds it only in cricket and crime. ' Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780948833953
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Lara Rains and Colonial Rites
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Paperback. Condizione: New. Howard Fergus's poems explore the nature of living on Montserrat, a 'two-be-three island/hard like rock', vulnerable to the forces of nature (Hurricane Hugo and the erupting Soufriere) and still 'this British corridor'. He writes honestly and observantly about these contingencies, finding in them metaphors for experiences which are universal. Nature's force strips life to its bare essentials ('Soufriere opened a new bible/in her pulpit in the hills/ to teach us the arithmetic of days') and reveals creation and destruction as one ('We celebrate Hugo child of God/ he killed and made alive for a season').In a small island society, individual lives take on an enhanced significance: they are its one true resource and the sequence of obituary poems brings home with especial force how irreplaceable they are. Beyond Montserrat, Fergus looks for a wider Caribbean unity, but finds it only in cricket (and crime). Cricket, indeed, provides a major focus for his sense of the ironies of Caribbean history: that through a white-flannelled colonial rite with its roots in an imperial sense of Englishness, the West Indies has found its only true political framework and the means, explored in the sequence of poems celebrating Brian Lara's feats of 1994, to overturn symbolically the centuries of enslavement and colonialism."Fergus is a poet of real stature."Stewart Brown, Longman Caribbean New Voices 1"Fergus reaches his peak with fine poems dedicated to his friends, none among them as penetrating as Timo. A larger-than-life character, Timo is good from the heart and generous to the bone. This archetypal character is fast disappearing, and Fergus reminds us through a last bedside visit. But he does something else that rings true. He captures Timo's essentially nativist language, the lingua franca of the praise-song; this poem is no wooden obituary. Far beyond the mythic spectator fields of Lord's and mythic Elysium, we applaud Fergus on this second stride to the wicket. His first poetic volume, "Allioguana," rightfully alluded to the rich incantatory Amerindian legacy of this island. A mature poet, Howard A. Fergus is caught playing in familiar themes far afield."Edgar Othniel Lake, The Caribbean WriterHoward Fergus was born at Long Ground in Montserrat. His poetry began appearing from 1976, with Cotton Rhymes; Green Innocence (1978), Stop the Carnival (1980), and his poems have been anthologised in the Penguin Book of Caribbean Verse and appeared in Artrage, Writing Ulster, Bim, The New Voices, Caribbean Quarterly, Ambit, Caribanthology and others. His most recent collection is Volcano Verses (Peepal Tree, 2003). Codice articolo LU-9780948833953
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Paperback. Condizione: New. Howard Fergus's poems explore the nature of living on Montserrat, a 'two-be-three island/hard like rock', vulnerable to the forces of nature (Hurricane Hugo and the erupting Soufriere) and still 'this British corridor'. He writes honestly and observantly about these contingencies, finding in them metaphors for experiences which are universal. Nature's force strips life to its bare essentials ('Soufriere opened a new bible/in her pulpit in the hills/ to teach us the arithmetic of days') and reveals creation and destruction as one ('We celebrate Hugo child of God/ he killed and made alive for a season').In a small island society, individual lives take on an enhanced significance: they are its one true resource and the sequence of obituary poems brings home with especial force how irreplaceable they are. Beyond Montserrat, Fergus looks for a wider Caribbean unity, but finds it only in cricket (and crime). Cricket, indeed, provides a major focus for his sense of the ironies of Caribbean history: that through a white-flannelled colonial rite with its roots in an imperial sense of Englishness, the West Indies has found its only true political framework and the means, explored in the sequence of poems celebrating Brian Lara's feats of 1994, to overturn symbolically the centuries of enslavement and colonialism."Fergus is a poet of real stature."Stewart Brown, Longman Caribbean New Voices 1"Fergus reaches his peak with fine poems dedicated to his friends, none among them as penetrating as Timo. A larger-than-life character, Timo is good from the heart and generous to the bone. This archetypal character is fast disappearing, and Fergus reminds us through a last bedside visit. But he does something else that rings true. He captures Timo's essentially nativist language, the lingua franca of the praise-song; this poem is no wooden obituary. Far beyond the mythic spectator fields of Lord's and mythic Elysium, we applaud Fergus on this second stride to the wicket. His first poetic volume, "Allioguana," rightfully alluded to the rich incantatory Amerindian legacy of this island. A mature poet, Howard A. Fergus is caught playing in familiar themes far afield."Edgar Othniel Lake, The Caribbean WriterHoward Fergus was born at Long Ground in Montserrat. His poetry began appearing from 1976, with Cotton Rhymes; Green Innocence (1978), Stop the Carnival (1980), and his poems have been anthologised in the Penguin Book of Caribbean Verse and appeared in Artrage, Writing Ulster, Bim, The New Voices, Caribbean Quarterly, Ambit, Caribanthology and others. His most recent collection is Volcano Verses (Peepal Tree, 2003). Codice articolo LU-9780948833953
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Lara Rains & Colonial Rites
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