4to.; thread bound; unpaginated (65 pp.); letterpress; 48 full color plates; wrappers. First edition, limited to 300 copies. Rower s latest body of work, hybrid painting/reliefs that are created by stacking and gluing plywood scraps into tower like forms and pouring acrylic paints over them, are steeped in art history. The grammar of their language forms a veritable artistic Esperanto. Plywood scraps taken from the studio floor speak both to minimalist sculpture and painting as well as to Arte Povera. The process of building the surface up with glue recalls post minimalist use of organic materials but it also speaks to a tradition of unorthodox support for painting, one that follows the trajectory of Duchamp s large glass and joins Rauschenberg s combines, Polke s t-shirts and tablecloths to Dieter Roth s dirt paintings. And Rower s method of creating these beings by dripping and pouring multicolored acrylic paint is also ripe with allusion. There have been notorious pourers and drippers, beginning most famously with Jackson Pollock but including Linda Benglis and Roxy Paine, who have exploited both the viscous potential of their medium, acrylic and latex, as well as gravity and gesture. Rower s work follows in this path. But unlike their efforts, he takes a detour into a world of optical ravishment and trickery.
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Holton Rower was born in Greenwich Village, New York City, 1962. He attended The Putney School, currently lives in Brooklyn Heights, and works at a studio in Lower Manhattan.
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Da: Southampton Books, Sag Harbor, NY, U.S.A.
Paperback. Condizione: Very Good. Holton Rower (illustratore). First Edition. First Edition, First Printing. Published by JMc & GHB editions, 2010. Quarto. Paperback. Book is very good. Codice articolo 576098
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