This text examines how the authority of architects was created within the changing working practices of British architecture.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Review of the hardback: '... the scholarship is impressive ...' Architecture Today
This study peers behind the veil of architectural styles to the underlying social microcosm of the 'building world' of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This study peers behind the veil of architectural styles to the underlying social microcosm of the building world of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there.Inhaltsverzeichnis. Codice articolo 447217378
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In-8, 23 cm, 382pp., 27 illustr., bibliogr. p. 337-360, notes bibliogr., index, bon etat, Codice articolo 65815
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Paperback. Condizione: new. Paperback. This study peers behind the veil of architectural styles to the underlying social microcosm of the 'building world' of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there. Bringing to architectural history methods more familiar from studies of the social content of poetry and painting, Brian Hanson is able to establish often surprising relationships between many of the key figures of the period - including Chambers, Soane, Barry, Pugin, Scott and Street - shedding light also on lesser figures, and on agencies as diverse as Freemasonry and magazine publishing. John Ruskin in particular emerges here in a different light, as do his arguments concerning 'The Nature of Gothic'. In line with rethinking of the pace of industrialization, and the dynamic between the metropolitan centres and the more slowly evolving 'fringes', Hanson concludes that in some respects Ruskin was closer to William Chambers than to William Morris. This study peers behind the veil of architectural styles to the underlying social microcosm of the 'building world' of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781107403314
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Paperback. Condizione: new. Paperback. This study peers behind the veil of architectural styles to the underlying social microcosm of the 'building world' of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there. Bringing to architectural history methods more familiar from studies of the social content of poetry and painting, Brian Hanson is able to establish often surprising relationships between many of the key figures of the period - including Chambers, Soane, Barry, Pugin, Scott and Street - shedding light also on lesser figures, and on agencies as diverse as Freemasonry and magazine publishing. John Ruskin in particular emerges here in a different light, as do his arguments concerning 'The Nature of Gothic'. In line with rethinking of the pace of industrialization, and the dynamic between the metropolitan centres and the more slowly evolving 'fringes', Hanson concludes that in some respects Ruskin was closer to William Chambers than to William Morris. This study peers behind the veil of architectural styles to the underlying social microcosm of the 'building world' of the eighteenth and nineteenth centuries, to examine how the fragile authority of the architect took root there. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9781107403314
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