Articoli correlati a Twentieth-Century Music in the West: An Introduction
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This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms.
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Tom Perchard's work centres on the history and historiography of jazz and popular music. He is the author of After Django: Making Jazz in Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006). He is the recipient of a Leverhulme Major Research Fellowship for a project on popular music in the postwar British home.
Stephen Graham is the author of Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music (2016). He has written articles on late style, fringe music writing and popular modernism. He is working on a book about noise music.
Tim Rutherford-Johnson is a contemporary music journalist and musicologist. He is the author of Music after the Fall: Modern Composition and Culture since 1989 (2017) and The Music of Liza Lim (forthcoming), and editor of the sixth edition of the Oxford Dictionary of Music (2012).
Holly Rogers is a scholar of experimental audiovisual culture, and is author of Sounding the Gallery: Video and the Rise of Art-Music (2013). She has edited books on documentary film sound, experimental film soundtracks, transmedia, cybermedia and music video, and edits a book series for Bloomsbury on music and media, and the journal Sonic Scope.
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Condizione: New. Über den AutorTom Perchard s work centres on the history and historiography of jazz and popular music. He is the author of After Django: Making Jazz in Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006). He is . Codice articolo 662531817
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Hardcover. Condizione: new. Hardcover. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections Histories, Techniques and Technologies, Mediation, Identities with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It highlights the interconnections between different genres and styles, enabling better understanding of their aesthetics, practice and key repertoire. It is designed for easy use by students and teachers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781108481984
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Twentieth-Century Music in the West: An Introduction
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Hardcover. Condizione: Brand New. 350 pages. 9.84x6.97x1.14 inches. In Stock. Codice articolo x-1108481981
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Twentieth-Century Music in the West (Hardcover)
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Cambridge University Press, Cambridge, 2022
ISBN 10: 1108481981
ISBN 13: 9781108481984
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Hardcover. Condizione: new. Hardcover. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections Histories, Techniques and Technologies, Mediation, Identities with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It highlights the interconnections between different genres and styles, enabling better understanding of their aesthetics, practice and key repertoire. It is designed for easy use by students and teachers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781108481984
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ISBN 10: 1108481981
ISBN 13: 9781108481984
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Buch. Condizione: Neu. Neuware - 'Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Bâela Bartâok, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartâok tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own'--. Codice articolo 9781108481984
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