Sinossi
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 Excerpt: ...strings. I. Allegro ma non lanto, D minor, 4-4 time. After two introductory measures in the orchestra the solo instrument sets forth the principal subject, accompanied merely by the strings and one bassoon. Passage-work follows in the piano part as accompaniment to the first theme, now given to the horn and violas. The second subject enters, pianissimo, in the strings, answered by the piano, its material already having been foreshadowed, first by the clarinet and horn and immediately afterward by the oboe and trumpet. Out of this subject grows a more expressive section given out by the piano. The material grows more impassioned and. through a diminuendo, leads to the Development section, which begins with the theme that had opened the movement. Considerable working over of this and subsidiary material now takes place. At the close of the Development a lengthy cadenza for the solo instrument is introduced, in part of which the flute, oboe, clarinet and horn successively bring forward suggestions of the first subject, the piano later suggesting the second theme. What corresponds to a Recapitulation follows the cadenza, the solo instrument again announcing the principal theme with the strings accompanying it, as at the beginning of the work. The second subject is hinted at rather than definitely repeated. It is with that that the movement comes tranquilly to a close. II. Intermezzo. (Adagio, A major, 3-4 time.) The opening theme is stated by the woodwind, the strings taking it up later. The piano eventually brings forward the subject, but now in A flat major. There is considerable development of the theme, partly in the solo instrument and partly in the orchestra. Soon a new section is introduced, in which the clarinet and bassoon give out a subject, not unrel...
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