Sinossi
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1901 edition. Excerpt: ... III. THE LITERARY FORM OF THE LEGENDS. THE beauty of the legends of Genesis has always been a source of delight to readers of refined taste and it is not mere chance that painters have been so fond of choosing the subjects of their works from Genesis. Scholars have more rarely expressed appreciation of the beauty of these narratives, often perhaps for personal reasons, and perhaps often because the aesthetic point of view seemed to them incompatible with the dignity of science. However, we do not share this prejudice, but, on the contrary, are of the opinion that one who ignores the artistic form of these legends not only deprives himself of a great pleasure, but is unable properly to satisfy the scientific demands of the understanding of Genesis. Nay, more: it is no insignificant question for science to answer, in what the peculiar beauty of the legends consists,--a problem whose solution requires a thorough investigation of the contents and the religion of Genesis. GENESIS IS PROSE. The first question is, whether the form of the diction is prose or poetry. Aside from Genesis xlix. which is a poem and not a narrative, and on that ground alone is out of place in Genesis, all that the book contains is prose in form. Detailed investigations of the nature of this prose have not been carried on. Meanwhile, at least this may be said, that this prose is not the common colloquial language of every-day life, but is more artistic in its composition and has some sort of rhythmical construction. Hebrew prosody is still a sealed book to us, but in reading Genesis aloud one feels an agreeable harmony of rhythmically balanced members. The translator of Genesis is constrained to imitate this balancing of sentences. Since the legends were already very...
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