Excerpt from An Introduction to Octavia Prætexta: Submitted in Partial Fulfilment, of the Requirements for the Degree of Doctor of Philosophy, in the Faculty of Philosophy at Columbia University in the City of New York
As regards the difference between the two peoples in the idea of what is essential in a drama, the Roman audience did not feel the intricate detail of plot as of prime importance: but their love of grandeur and force, and their admiration for whatever produces an emotional tension, were truly tragic qualities. Their poetic feel ing, though obscured by the utilitarian view they took of life, is shown by their tendency to put public inscrip tions into verse (as the elogia on the tombs of the Scipios) and by their sensibility to dramatic events (as the death of Virginia and the murder of This latter characteristic will be considered more in detail in the succeeding chapter on the Praetexta.
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Paperback. Condizione: New. Print on Demand. This book examines the authorship and philosophical implications of the nine plays attributed to Roman philosopher and statesman Seneca. The author challenges the common assumption that all the plays were created by Seneca, providing detailed philological and historical evidence to make the case for multiple authors. Working chronologically, the text places each play within its historical and literary context, highlighting the ways in which they reflect the turbulent times in which they were written. Seneca's influence on later writers, including Shakespeare, is also considered. This book will appeal to students of drama, history, philosophy, as well as general readers interested in the dynamics of this creative period. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Codice articolo 9781330695548_0
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