Provides insights into how the work of Jacques Lecoq can be applied to the rehearsal process for a Shakespeare play or scene-study.
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Ed Woodall is an acting coach and movement director. He trained with Jacques Lecoq at the École Jacques Lecoq between 1989-91 and has worked in physical theatre with Complicité, Improbable and Kneehigh as well as acting in a number of films and RSC productions of Shakespeare.
Dr Abigail Rokison-Woodall is Lecturer in Shakespeare and Theatre, The Shakespeare Institute, Stratford-upon-Avon, UK and was formerly a professional actor.
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Paperback. Condizione: new. Paperback. This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoqs method often relies on play, and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781350244092
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Paperback. Condizione: New. This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq's method often relies on 'play', and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be. Codice articolo LU-9781350244092
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