Articoli correlati a The Films of Pedro Costa: Producing and Consuming Contempora...

The Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema - Rilegato

Jorge, Nuno Barradas

 
9781474444538: The Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema
Rilegato
ISBN 10: 1474444539 ISBN 13: 9781474444538
Casa editrice: Edinburgh Univ Pr, 2020

Sinossi

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa’s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics.
Considering the exhibition, circulation and reception of Costa’s creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker – as well as of the multifaceted production and consumption practices that surround contemporary art cinema.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

Informazioni sugli autori

Nuno Barradas Jorge is a Teaching Associate in Film and Television Studies in the School of Cultures, Languages and Area Studies at The University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016). His work appeared in, among others, the journal Adaptation and in the anthologies Migration in Lusophone Cinema (Palgrave Macmillan, 2014) and Global Portuguese Cinema (I.B. Tauris, 2017).



Nuno Barradas Jorge is a Teaching Associate in Film and Television Studies in the School of Cultures, Languages and Area Studies at The University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016). His work appeared in, among others, the journal Adaptation and in the anthologies Migration in Lusophone Cinema (Palgrave Macmillan, 2014) and Global Portuguese Cinema (I.B. Tauris, 2017).

Dalla quarta di copertina

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa’s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics.Considering the exhibition, circulation and reception of Costa’s creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker – as well as of the multifaceted production and consumption practices that surround contemporary art cinema.Nuno Barradas Jorge teaches in the Department of Cultural, Media and Visual Studies at the University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016).

Dal risvolto di copertina interno

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics.Considering the exhibition, circulation and reception of Costa s creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker as well as of the multifaceted production and consumption practices that surround contemporary art cinema.Nuno Barradas Jorge teaches in the Department of Cultural, Media and Visual Studies at the University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016).

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

Editore
Edinburgh Univ Pr
Data di pubblicazione
2020
Lingua
Inglese
ISBN 10 
1474444539
ISBN 13 
9781474444538
Rilegatura
Copertina rigida
Numero di pagine
174
Contatto del produttore
non disponibile
Persona responsabile
non disponibile