From his upbringing as a "red-diaper baby" among some of the leading lights of American music and Left politics, to his legendary work as bassist for the Bill Evans trio, to his collaborations with such figures as Charles Mingus and Billie Holiday, Chuck Israels has witnessed over a half-century of change and innovation in American jazz music. In Bass Notes, he offers up both an engaging memoir and a meditation on the history of jazz music and its prospects for the future. In addition to fascinating stories from his work with musicians like John Coltrane, Joan Baez, and Herbie Hancock, he gives an inside view into the mysterious alchemy that happens when skilled jazz improvisers get together. As he explains, the combination of disciplined collaboration and individual freedom is not just exhilarating for musicians, but an inspiring reflection of, and model for, democracy and the potential for true racial equality.
Israels recounts his decision to leave Bill Evans's trio to deepen his musical education and develop as a composer-and his choice to not rejoin the trio in Evans's last years. Citing such developments as the dominance of conservatory training and ill-advised crossover attempts with classical and pop, he also gives an impassioned but unsentimental account of how jazz lost its primacy in the pantheon of American music, even though it is America's most distinctive contribution to world music. He explores the obstacles that today's best young jazz musicians face following the giants of earlier generations and the dwindling opportunities to make a living as a musician. But despite it all, Israels argues that jazz's enduring and rich legacy will not be lost and shows how it can be not just sustained but broadened in the years to come.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Chuck Israels is a composer, arranger, and bassist who has worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J. J. Johnson, John Coltrane, Gerry Mulligan, Nina Simone, the Kronos Quartet, and many others. He is best known for his work with the Bill Evans Trio from 1961 through 1966 and his pioneering accomplishments in jazz repertory as director of the National Jazz Ensemble from 1973 to 1981. Chuck lives in Portland, Oregon.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Goodwill Books, Hillsboro, OR, U.S.A.
Condizione: good. Signs of wear and consistent use. Codice articolo GICWV.1493074849.G
Quantità: 1 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 45708775-n
Quantità: 15 disponibili
Da: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo HU-9781493074846
Quantità: 1 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 45708775
Quantità: 15 disponibili
Da: Rarewaves USA, HEBRON, KY, U.S.A.
Hardback. Condizione: New. From his upbringing as a "red-diaper baby" among some of the leading lights of American music and Left politics, to his legendary work as bassist for the Bill Evans trio, to his collaborations with such figures as Charles Mingus and Billie Holiday, Chuck Israels has witnessed over a half-century of change and innovation in American jazz music. In Bass Notes, he offers up both an engaging memoir and a meditation on the history of jazz music and its prospects for the future. In addition to fascinating stories from his work with musicians like John Coltrane, Joan Baez, and Herbie Hancock, he gives an inside view into the mysterious alchemy that happens when skilled jazz improvisers get together. As he explains, the combination of disciplined collaboration and individual freedom is not just exhilarating for musicians, but an inspiring reflection of, and model for, democracy and the potential for true racial equality. Israels recounts his decision to leave Bill Evans's trio to deepen his musical education and develop as a composer-and his choice to not rejoin the trio in Evans's last years. Citing such developments as the dominance of conservatory training and ill-advised crossover attempts with classical and pop, he also gives an impassioned but unsentimental account of how jazz lost its primacy in the pantheon of American music, even though it is America's most distinctive contribution to world music. He explores the obstacles that today's best young jazz musicians face following the giants of earlier generations and the dwindling opportunities to make a living as a musician. But despite it all, Israels argues that jazz's enduring and rich legacy will not be lost and shows how it can be not just sustained but broadened in the years to come. Codice articolo LU-9781493074846
Quantità: 8 disponibili
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo HU-9781493074846
Quantità: 1 disponibili
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Hardback. Condizione: New. From his upbringing as a "red-diaper baby" among some of the leading lights of American music and Left politics, to his legendary work as bassist for the Bill Evans trio, to his collaborations with such figures as Charles Mingus and Billie Holiday, Chuck Israels has witnessed over a half-century of change and innovation in American jazz music. In Bass Notes, he offers up both an engaging memoir and a meditation on the history of jazz music and its prospects for the future. In addition to fascinating stories from his work with musicians like John Coltrane, Joan Baez, and Herbie Hancock, he gives an inside view into the mysterious alchemy that happens when skilled jazz improvisers get together. As he explains, the combination of disciplined collaboration and individual freedom is not just exhilarating for musicians, but an inspiring reflection of, and model for, democracy and the potential for true racial equality. Israels recounts his decision to leave Bill Evans's trio to deepen his musical education and develop as a composer-and his choice to not rejoin the trio in Evans's last years. Citing such developments as the dominance of conservatory training and ill-advised crossover attempts with classical and pop, he also gives an impassioned but unsentimental account of how jazz lost its primacy in the pantheon of American music, even though it is America's most distinctive contribution to world music. He explores the obstacles that today's best young jazz musicians face following the giants of earlier generations and the dwindling opportunities to make a living as a musician. But despite it all, Israels argues that jazz's enduring and rich legacy will not be lost and shows how it can be not just sustained but broadened in the years to come. Codice articolo LU-9781493074846
Quantità: 2 disponibili
Da: Brook Bookstore On Demand, Napoli, NA, Italia
Condizione: new. Codice articolo XLUNEX5JLR
Quantità: 5 disponibili
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. 2023. hardcover. . . . . . Codice articolo V9781493074846
Quantità: 1 disponibili
Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. Codice articolo 401443731
Quantità: 3 disponibili