Articoli correlati a Owning the Masters: A History of Sound Recording Copyright
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The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception.
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Informazioni sull?autore
Richard Osborne is Associate Professor in Music and Creative Industries at Middlesex University, UK. Prior to working in academia he was employed in music retail, held various posts at collecting societies and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012), and co-editor of Mute Records (2019) and Music by Numbers (2021).
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Owning the Masters : A History of Sound Recording Copyright
Editore:
Bloomsbury Academic, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
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Owning the Masters: A History of Sound Recording Copyright (Alternate Takes: Critical Responses to Popular Music)
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Owning the Masters
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Owning the Masters
Editore:
Bloomsbury Publishing Plc, US, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
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Paperback. Condizione: New. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. Codice articolo LU-9781501345906
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Owning the Masters (Paperback)
Editore:
Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
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Paperback. Condizione: new. Paperback. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. "The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781501345906
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Owning the Masters: A History of Sound Recording Copyright (Alternate Takes: Critical Responses to Popular Music)
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Owning the Masters: A History of Sound Recording Copyright
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Condizione: New. 2022. Paperback. . . . . . Codice articolo V9781501345906
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Owning the Masters: A History of Sound Recording Copyright
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Paperback. Condizione: Brand New. 256 pages. 9.00x6.00x1.00 inches. In Stock. Codice articolo __1501345907
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