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9781513201191: The Nutcracker Treasury

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Follow the tale of a beloved Christmas toy and his battles against the evil Mouse King from origin, to retelling, to adaptation and translation in The Nutcracker Treasury.

Containing four major versions of the work, The Nutcracker Treasury features the original tale by E.T.A. Hoffman, The Nutcracker and the Mouse King (1816); the retelling, The History of a Nutcracker (1847) by Alexandre Dumas; the adaptation for stage, The Magic Nutcracker (1925); and a self-proclaimed, “translation, mutilation, and termination,” Princess Pirlipatine and the Nutcracker (1919) by O. Eliphaz Keat.

Professionally typeset with a beautifully designed cover, this exclusive edition of The Nutcracker Treasury is a classic Christmas tale, reimagined for modern readers.

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Dalla quarta di copertina

From a dark short story to a whimsical Christmastime fantasy and eventually a famous ballet, E.T.A. Hoffmann’s original The Nutcracker and the Mouse King has continued to prevail through the ages. Follow the tale of a beloved Christmas toy and his battles against the evil Mouse King from origin, to retelling, to adaptation and translation.

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The Origin of the Treasury

The book you are about to read will in some ways be repetitive—it is, after all, a collection of adaptations and reinterpretations of a single story involving a young girl and her nutcracker. There will be many similarities, overlapping details, and familiar plot points; however, in between these bouts of sameness you will also be taken on a journey of transformation. 

The history of The Nutcracker—not to be confused with Alexandre Dumas’ The History of a Nutcracker—is an interesting one. 

Originally written by E.T.A. Hoffman in 1816, The Nutcracker and the Mouse King is a sort of dark fantasy that questions whether or not the story we’re being told is the feverish nightmare of a young child or a legitimate journey to an alternate reality of talking toys and diabolical mice. 

Dumas’ retelling of the story less than three decades later, is almost identical in regard to the events that transpire, but is much kinder in its presentation of the narrative—that is to say, the reader is expected to believe that what happens to Mary actually happens and become swept up in the innocence of childhood romance. 

By the time Pyotr Ilyich Tchaikovsky's The Nutcracker sees its first performance in 1892, most all the edges of Hoffman’s original story and even Dumas’ retelling, have been sanded away in favor of a gentler, softer more consumable Christmas fairytale full of whimsy. Which, mind you, does not take into account  O. Eliphaz Keat’s Princess Pirlipantine and the Nutcracker which takes away the main plot of the young girl receiving the Nutcracker as a Christmas gift almost entirely. 

This is not to say that Alexandre Dumas, Pyotr Tchaikovsky or O. Eliphaz Keat were in any way wrong for the changes they made to Hoffman’s story; rather, this treasury concerns itself—and exists—out of admiration and amazement for the story’s ability to live on more than two hundred years after its original publication. 

The Nutcracker Treasury is a love letter to the idea that nothing ever truly dies and that great stories will continue to be passed down from generation to generation, no matter what form they may take. 

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